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·TABLE OF CONTENTS.
PAGE
1-11
1
24
35
I
1
..
Introduction
The Text of दूतवाक्यम्
The Test of प्रनिमा
TheText of स्वमवामयदत्ता
The Translation of दूतवाक्यम्
The Translation of प्रतिमा
The Translation of स्वप्रवासवरता
Notes on दूतवाक्यम्
Notes on प्रतिमा
Notes on प्रवासवरचा
Appendix
18
.
26
....
34
57
66
73

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·INTRODUCTION
The Sanskrit Drama.
Poctry is the expression of imagination. It is
the breath and finer spirit of all knowledge, the
spontancousoverflow of powerful feelings. It may
be in prosc or serse Verse is apparel only, being
but an ornament and no cause of poetry "Poetry
of the highest kind, " $.39 Coleridge, "may exist
without metrc" It is the art of uniting pleasure
with truth by calling imagination to the help of
reason and its essence is invention. TFT TATT!
71044 A sentence which is full of flavour, the very
soul of which is tha sentiment, is poctry
And this poetry, expressive of imagination and
sentimentand giving the highest bliss to thcrcader,
is divided into two kinds what is capable of
being seen or represented on the stage and 454
what can only be heard or read. The drama falls
under the first division. It is the general term
in Sanskrit for all dramatic compositions. 47
or a draina must be a reflection of life. It should
hold the mirror up to nature It should have a plot
taken from fate, ACHATTTT, any wcl-knoin hıç
tory or any incident in life; it should oontain cha.

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·- (3) This rare gencrally refers to the author of the play (which is nowhere done in the plays of भास), gives the name of the play, praises the audience and introduces the character of the play. This he does in his speech with for पारिपार्वक an actor; and this shole is called प्रस्वावना, आमुस (or स्थापना as in the plays of भाम). नदी पिदूपको पापि पारिपार्श्वक एव था। सूत्रधारण सहिनाः मलापं यत्र कुर्वते ।। चियाक्यः स्यकार्योन्यैः प्रस्तुताक्षेपिभिर्मियः। थामुलं ततु विज्ञेयं नाम्ना प्रस्तावनापि मा। A Sanskrit play is divided into acts. अन्यतचित्रग्नियुक्तो भावरमोदयः। अन्तनिकान्तनिखिलपात्रो पति कीर्तिनः।। अंफ इति स्दिशन्द: An act sometimes begins with विष्फम्भक or प्रवेशक. वृत्तवनिप्यमाणानां कयांशाना निदर्शकः । संगिमार्थस्तु विष्कम्भ श्रादायकस्य दर्शिवः॥ मध्यन मध्यमाभ्यां या पात्राभ्यां संप्रयोजितः । प्रवेशकोऽनुदानाकन्या नीचपानमयोजितः ।। अद्वयान्तविनेयः शेषं विकभके यया ।। It is a link connecting the incidents or events which are gone before and which are to come in future and in it the hero or the heroine, the principal characters, never take part. And lastly esery play ends, as it began with a benediction or prayer which is called भरतवाक्य. It is recited by ·the principal personage, not in his dramatic character but as a member of the party (HⓇ) and contains an expression of their wishes for general prosperity and happiness. A Sanskrit play always ends in happiness and never in a calamity: it is always a comedy and never a tragedy. It also contains a diversity of language, a number of dialects called Prakrits and these are spoken hy females and low characters. In our book we have changed them into Sanskrit as they are too descult to be understood by the students of High School Classes Bhasa and his playı. Bhasa must have been a very great poet is a number of poets in Sanskrit Literature have showere very profusely encomiums on hun and Kalı118.1, the wel-known prince among Indian sis alus one of the in In his rofafiti ET IT prarang him thuy * 27! 17 TI afet Almofal.fast- बीना प्रवन्धाननियम्य पर्दमागरूव कालिदागम्य क्रियायो कई परिपती पहमान । Tin nafra cuin®4 TTT Ind his plays 17:11 why TTTTTTTTT after FITTI OTTA ATT Toril

·(3
गजरोग्यर in his मूनिमगावलि testifier
भागनाटक पिश दिने परीशिगुम ।
बन्नवासवदाम्य पाएको मूल पावकः।।
जयदेव in his प्रमश्राप represents भाम as the laugh
of muse
मागी हार कवियुलगुरु ।
पालिदागी विलाम ॥
TYT in his l'rlari perin 1777 looks upon
our port to be a friend of the Fire-god
माम ग्वलनमित्र कुन्तीदे।
7 परप गपुपारे ।
मोजदेष in his गणपतीपष्टाभरण :
भामयायपि भागात पापिवर्ग जगत्रयीम ।
Insite of komany referencesto भाग urinat
almost nothing of hurt TUntil 102.10.thename
of the part alone was non ni in 1910 ilir late
M. Ganpati Shastri of Trivandrumdiscoitted
this treasur of the cirrte nf the playk of this
famous playnrRitem and into theiभाग cond
in lip a'ruer nur The treasutrconsists of ihr
13 prms of play wluch may be amarnitus
1 प्रतिमा-racte
2. पति-atta
Hedomगामायण
3.पात्र-Jatte
Ramai ina pluissa
4. मन्यमध्याग-1 timi on महाभारत,
5. नारा-1st
abharataram..:

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·(
chief Dramatis P'ersons are mentioned in it by
the use of मुद्राचलवार,
(5) The namc of the poet is mentioned in the
introduction of none of them.
(6) The emr's of almost all thesegulay sure
the same with a very slight change and saraf
मही छत्मौ राजर्मिदा पशाग्नु नः Is repeated witha slight
variation in most of them.
(7) After I wat is used with the
name of the play
(8) Striking similarity in plirascoloks, diction
and style 15 accn ci crywhere in all thesc plays.
(9) Grammatical errors which may lic called
archaisms are very common in thesr plass
(10) AYATT, , a, fent
and a number of expressions peculiar to the port
are cohon.
These grounds forove that all these plays
must have come from the ren of one gioch and
this must be the poct 7 13 the considered ops.
nion of many learned and eminent scholars
All shesc plays in with IT and not
Fr, they are more than to, they love. num.
her of plots and characters, they have the dra.
matic irony 7 TITTC use frequently in them;
TITUTT Is one of them and on account of its
policicauty it can stand the fiery test of the
criticism of critics; and the forcible and smile
style, the lucidity of series, the disregard thoun

·th ·(व्यायुज्यन्ते पहुपुरुपा अस्मिमिति) ज्यावेतिपृसो ध्यायोगः स्वल्पनीजनसंयुतः। हीनो गर्भविमराभ्यिां मरमहुभिराभितः॥ एकीकञ्च भवेदत्रीनिमिससमरोदयः । कैराकीवृचिरहितः प्रख्यातस्तत्र नायकः॥ राजक्रिय दिव्यो वा भवेद्धीरोद्धतच सः । हास्यशृङ्गाररान्वेभ्य इतरेत्रागिनी रसाः॥ The plot or subject matter should be sel- H . . 1. c., the opening commich, we grownu the catastrophe. It should have a number of male characters. It should have onc act only. It . be wel-known and he may be a royal sage, a celestial being or noble and proud. It should not contain हास्य, द्वार or शान्तरम. The readers can see for themselves how this definition is satisfied in the case of दूतयाक्य. The plot of दूसयाक्य is taken from the उद्योगपर्व of the महामारत. Pandavas finished their soyourn . है quently busy was sent as an ambassador to intencne. na cvaded and the result was war. The poet has described the principal inci. dents of the liſc of Rama in his two plays, the

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·(il) the curse tallen on his father which resulted in the exile and says that she was only a tool. Bharata prepares to help Rama, but in the meantime Rama kılls Ravana and returning to Ayodhya mects with his three mothers and brothers in the Janasthana forest Then Vasts. tha and the people of Ayodhya crown Rama as the I.----- --- R: ----L-- -- of o yan He is handsome, gallant, noble, fond of sport and adventure and proud of beauty. Therefore he became an ideal subject of legends and a charming hero of a number of forms of poetry. And so he neglects the affairs of the state. A strong enemy Aruni is watching the situation Aruni inflicts defcats on Udayana and thos parts of kingdom arc being lost. Therefore, To his devoted minister, wants the help of Magadha and this he decides to get by a matrimonia alliance, But Udayana will never agree to marry the sister of Magadha King as long as Vasavadatta is alive. So he decides to spread a rumour that Vasavadatta is burnt. Both Udayana and Magadha-king believe and the marriage takes place. But Udayana may have a doubt regarding the chastity of Vasavadatta. So he throns her Padmavati, the princess of Magadha, as a Brahmin woman of Avanti and Padmavati agrees to take her in her charge as her ward. These two ladies become fast fnends and Padmavati convinces the king of the purity of Vasavadatta.

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·श्री: महाकवि-श्रीमासप्रणीतं दूतवाक्यम् . (मायन्ते ततः प्रदिराति सूत्रधारः) सूत्रधारः-- पादः पायादुपेन्द्रस्य, सर्वलोकोत्सवः स यः। "च्याविदो नमुचिर्पन, तनुतामनग्येन वे ॥१॥ एपमार्यमिश्रान्विज्ञापयामि। अये किं नु वलु मयि विज्ञापनन्यग्रेशन्द इव श्रूयते।यगा ! पश्यामि (मेपथ्ये) मो मो प्रतिहाराधिकृताः। महाराजो दुर्योधनः समाज्ञापयति । सूत्रधार-भयतु । विज्ञातम् । उत्पन्ने धार्तराष्ट्राणां, विरोधे पाण्टयः सह । मन्त्रशालां रचपति, भृत्यो दुर्योधनाज्ञया ॥२॥ (निष्क्रान्तः) । स्थापना। .

·। (ततः प्रविशति कागुमीपः । काञ्चुकीयः-भी भोः प्रतिहाराधिकृताः। महा राजो दुर्गाधनः समाज्ञापयति-अध सर्वपादि सह मन्त्रयितुमिच्छामि । तदाहूयन्नां सर्व राजा इति (परिक्रम्यावलोक्य ) श्रये अयं महाराजो दुर्योधन इत एवाभिवर्तते । य एपः, श्यामा युवा सितकूलकृतोत्तरीया, सच्छत्रचामरबरी मिताङ्गरागः। श्रीमान्विभूपणमणिधुतिरञ्जिताङ्गो. नक्षत्रमध्य इव पर्वगतः शशाः ॥३॥ (ततः प्रविति यानिदियो दुर्योधनः) दुर्योधनः- उद्धृतरोपमिव से हृदयं सहर्प, प्राप्त रणोत्सवमिमं सहसा विचिन्त्य । इच्छामि पाण्डवबले वरवारणाना मुत्कृत्तदन्तमुसलानि मुग्वानि कर्तुम् ॥४॥ काञ्चुकीयः-जयतु महाराजः । महाराजशा नात्समानीतं सर्वराजमण्डलम् । दुर्योधनः-सम्यक तम् । प्रविश स्वमवरीधनम् काञ्चुकीयः-पथाज्ञापयति महाराजः । (मिफारतः) ·दुर्योधनः-श्रायौँ वैकर्षवर्षदेवी! उन्यनाम् । अलि ममैकादशाक्षौहिणीपलसमुदयः । अस्य का सेनापतिर्भवितुमर्हतीति ? किमाहतुर्मयन्ती ? महानपल्ययनर्थः । मन्त्रयित्वा परकम्पमिति । सहसमेतत् । तदागम्यतां मन्त्रशालामेव प्रवि- शामः । प्राचार्य ! अभिवादये, प्रविशतु भवान्म- न्त्रशालाम् । पितामह ! थभिवादये, प्रविशतु भवान्मन्त्रशालाम् । बायाँ वैकर्णवदेवी ! प्रवि. शतां भवन्तौ । भो भोः सर्वक्षत्रिपाः र प्रवि- शन्तु भवन्तः । पयस्य कर्ष ! प्रविशायस्तापत् । (विप) साचार्य । एतत्कर्मासनमास्पताम् । पितामह ! एतसिहासनमास्यताम् । मातुल ! एतसर्मासनमा- मायी कर्षवर्षदेवी ! भासाता भयन्ती। मी भा. सर्वक्षत्रिपाः सरमासतां •भवन्तः। किमिति किमिति ? महाराजो नाल इति । अहो सेवाधर्मः । नन्वयमहमासे । पपस्प कर्ण ! स्वमप्पास्त्र। (उपचिर) ·जनस्य समुदाचारः। सगर्व खल्वस्य वचनम् । सम्यगाह मातुलः। भवतु भवतु। पिताना काञ्चुकीयः-जयतु महाराजः । एप खलु पाण्ड- दुर्योधनः-मा तावद्भो बादरायण । किं किं कंस भृत्यो दामोदरस्तव पुरुषोत्तमः ? स मोपालकस्तर पुरुषोत्तमः ? 'पार्हद्रथापहृतविपयकीर्तिभोगस्तर पुरुषोत्तमः ? अहो पार्थिवासन्नमाश्रितस्य भृत्य- पापी यकर्षवर्षदेवी ! उच्यताम् । ममैकादशाक्षौहिणीपलसमुदयः अस्य का सेनापन मंपितुमईतीति 1 किमाहतुर्भपन्नी ? अनभवान् गान्धारा वक्ष्यतीति । भवतु । मातुलेनाभिधीयताम् । किमा मातुलः । अत्रमयति गाड्ये स्थिते कोन्या सेना पतिर्भवितुमर्हतीति। एव भवतु । वयमप्येतदभिलपामः । सेनानिनादपटहस्वनशहनाद, श्वण्डानिलाहतमहोदधिनादकल्पः। गाङ्ग यमूर्ध्नि पतितरभिषेकतोय, सार्ध पतन्तु हृदयानि नराधिपानाम् ॥६ वस्कन्धावारादौत्येनागतः पुरुषोत्तमो नारायणः । था अपथ्वंस।

·५ । का धुकीयः-प्रमीदतु प्रसीदतु महाराजः । म्भ्रमण समुदागारी विस्मृतः । (पाइयो पनि दुर्योधनः-सम्भ्रम इति । मनुष्याणामम्य म. नमः । उत्तिष्टोत्तिष्ट। पापीयः-मनुगृहीतोऽस्मि । । दुर्योधनः-इदानी प्रमास्मि । य एष दमा 'मा कास्य:प्रायः। दुर्योधनः-गाए पनि। एयमंष्टव्यम् । अयमय ममदापारः । भी भी राजानः दीपेनागतरण फैशायम्प पिं. पुणम् । फिमाएभयन्ता प्रदा. मन पापितच्या पाय, इति मम । प्रह- एमस्यान हित पक्ष्यामि । प्राणमुपगतं तु पातुभ', दलनयना इष पापस्या भपयुः। নিশিদিন বাব, দ্বিপালাবি গলমার । मपि र यो पापम्प प्रायुधारयति । मपा मारपर्षभाए द । रसमला भन्नु भयन्तः । (m) को मु खनादानी ·एतावाचार्यपितामही तां दृष्ट्वा ललायमानी टान्तान्तर्हितमुवी स्थिती । अहो अस्य वर्ण- व्यता। अहो भावोपपन्नता । अहो युक्तलेखता। य्यरामालिम्वितोऽयं चित्रपटः । प्रीतोऽस्मि। तोत्र? काञ्चुकीयः-जयतु महाराज: । दुर्योधनः-बादरायण ! थानीयतां स विहग- साहनमान्नविस्मितो दूत:। काञ्चुकीयः यदाज्ञापयति महाराजः । (निकान्तः) दुर्योधनः-क्यस्य कर्ण ! प्राप्तः किलाय वचनादिह पाण्डवानां, दौत्येन भृत्य इव कृष्णमतिः स कृष्णः । श्रोतुं सग्वे त्वमपि सज्जय कर्ण की, नारीमृदूनि वचनानि युधिष्ठिरस्य ॥१३॥ ततः प्रविशति वासुदेवः काम्चुकीयश्च) वासुदेव:-श्रय खलु धर्मराजवचनादनञ्जया- त्रिममित्रतया चाहवदर्पमनुक्तग्राहिणं सुयोधन नति भयाप्यनुचितदौत्यसमयोऽनुष्टिनः ।

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·१० ॥ १: दुर्योधनः-पासनापतित्वाऽमगतम्) सुव्यक्तं प्रात एव केशवः। उत्साहनमति कृत्वाप्यासीनोऽस्मि समाहितः। केशयस्य प्रभावेण चलितास्यासनादहम् ॥१७॥ अहो यहुमायोऽय दूतः। (प्रकाशम् ) भो दूत एतदासनमास्यताम् । पामुदेवः- श्राचार्य प्रास्यताम् । गाङ्क यमनुवा राजानः स्वैरमासतां भवन्तः। वयमप्युपविशाम. (उपविश्य ) श्रहो दर्शनीयोऽयं चित्रपटः। मा तावत् द्रौपदीकेशाम्पराकर्षणमत्रालिग्यितम् । अहो तुम्बन मुपोधनोपं स्वजनावमान, परामर्म पश्यति पालिशस्यात् । को नाम लोमे स्वयमात्मदोंप, मुद्घाटयेनटरपः ममासु ॥१६ श्रा अपनीयनामेष चित्रपटः। दुर्योश्नः पादरायण अपनीयतां किल मित्रपट: काम्पुकीयः-पदालापपनि महाराजः। (अपनपति दुर्योधनः- मो इस! पाग्मनी यापुगुनमा भीमी, मामानी में मिदगंन्द्रगनु ।

·...
पमा प तापदियायुती दिनीती,
सर्व मभृत्याः पुनालोपमाः ॥१९॥
वासुदेयः सहगमनदृगान्धारीपुनस्प
किमय फिम् । कुशलिनः म । भवतो राज्ये
गरीरे पायाभ्यन्तरे प फुगलमनाम प पृष्टी
विज्ञापयन्नि युधिप्टिरादपः पाण्याः ।
मनुमून महदूदय सम्पूर्णः ममयः पर।
अस्माकमपिधर्म्य पदायाचे तस्मिन्यतामा२०॥
इति ।
दुर्योधन-पर्य कर दापापमिति । मोः!
पने पितृव्यो मृगपाममदना,
लापराधां मुनिमापमान धान् ।
सदा ममृत्यय र दानिया,
परात्मगानां पिता कई मजेत् ॥११॥
धामुरंथः-पुराग्दि भपन्न धामि.
गिपिप्रपाणं रिषी विपनि,
क्षपण पातः पुनर बिपापाम् ।
प्यामन जातां धाराप्ट पर,
समोर जनप: पाच मे ॥२॥

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एवं परस्परविरोधविवर्धनेन,
शीघ भवेत्कृस्कुल नपनामशेषम् ।
तत्कर्तुमर्हति भवानपकृप्य रोपं,
यवां युधिष्ठिरमुग्वाः प्रणयाद्ब्रुवन्ति ।।२३।।
दुर्योधनः-भो दूत! न जानाति भयानराज्य-
व्यवहारम् । tentalment
राज्यं नाम नृपात्मजैः सहृदयर्जित्वा रिपून्तुज्यते,
तल्लोके न तु याच्यते न तु पुनीनाय वा दीयते ।
काङ्क्षा चेन्न पतित्वमाप्तुमचिराकुर्वन्तु ते साहस,
स्वैरवाप्रविशन्तु शान्तमतिभिर्जुष्टंशमायाश्रममर
वासुदेवः-भोः सुयोधन ! अलमलं बन्धुजने
परुपमभिधातुम् !
पुण्यसञ्चयसम्पाप्तामधिगम्य नृपश्रियम् ।
यञ्चयेद्यः सुहृदयन्यून्स भवेतिफलश्रमः ॥२५॥
दुर्योधनः-भो दूत!
स्यालं तव गुरोपं कसं प्रति न ते दया ।
कथमस्माकमेवं स्यात्तषु नित्यापकारिपु ॥२३॥
वासुदेवः अलं तन्महोपतो ज्ञातुम् ।
कृत्या पुत्रवियोगार्ती, यहुशो जननीं मम ।
पद्धस्वपितरं पया, हतोऽयं मृत्युना स्वयम्॥२७॥

·दुर्योधनः-सर्वपा पश्चितस्त्वया कसः । अल- मात्मस्तवेन । न शीर्यमेतत् । पश्य, जामातनाशव्यसनाभितप्ते, रोपाभिभूते मगधेश्परेप। पलायमानस्प भयातुरस्य, शौर्य तदेतत्फ गतं तपासीत् ? ॥२८॥ वासुदेवः-भोः सुयोधन ! देशकोलायस्थापेक्षि बलु शौर्य नपानुगामिनाम् । इह तिष्टतु तापद- स्मद्गतः परिहासः। स्वकार्यमनुष्ठीयताम् । कर्तव्यो माहट स्नेहो, विस्मतच्या गुणेतरा। सम्यन्यो पन्धुभिःश्रेयाँल्लोकपोरुभयोरपि ॥२९॥ दुर्योधनः- देवात्मजर्मनुप्या, कथं घा पन्धुता भवेत् । पिष्टपेपणमेतावत्पर्याप्त घियतां कथा ॥३०॥ षामुदेवः-(प्रात्मगनम) ... ! ... मसायमान सामागन स्वभाव विमुञ्चति । हन्त संक्षोमयाम्पेन, पचोभिः पयपाक्षरं ॥१॥ (प्रभारम्) भोः सुयोधन! किं न जानी. ऽर्जुनस्य पलपराकमम् । दुर्योधनः न जाने। पामुदेवः-मो भूपताम्- :

·दुर्योधनः-~मा गांपाक ! तृणालराभिमानी ( १४ ) फैरातं घपुरास्थितः पशुपनियुद्धेन सन्तोपितो, वह खाण्डवममता सुमहती दृष्टिशरैदवादिता! देवेन्द्रोर्तिकरा निवातायचा नीता क्षय लीलया, नन्वेकेन तदा विराटनगरे भीमादयो निर्जिताः३२ अपि च तवापि प्रत्यक्षमपरं कथयामि । ननु त्वं चित्रसेनेन, नीयमानी नभस्तलम् । पिकोगन्योपयात्रायां,फल्गुने वमोक्षितः॥३॥ दातुमईसि मदास्यामाज्या धृतराष्ट्रा। अन्ययासागरातां गां, मरिष्यन्ति हिमाण्डया डोभनकर कपम् ? हरिष्यन्ति हि पाण्डया महरति यदि युद्ध मामला भीमरूपी, महरति पदि मादात्यार्यरूपेण बाम । पुरपश्यना सम्मोमिन दाम्ये, तृणमपि पिमुक्त योपंगुप्ले स्वराज्य men वामुमो कुरकुराकणभूम ! अपशानुष frm गुणान्तराभिमापका। किंबहुना, भवान! अपना प्रमद इपा, इप गरीय ना मम्माननिगुनिसंग, मिरगामि ·। धामुदेवः-भोः पयोधन ! ननु क्षिपसि माम् दुर्योधनः ननु सत्यमेवैतत् । वासुदेवः गच्छामि तावत् । दुर्योधनः गच्छा पशुपुरोद्धतरेणुरूपिता मजमेव ।। विफलीतः कालः । सामुदेषः परमेास्तु । न यपमनुसासन्देश गन्तुमिच्छामः । तदाकण्यंतां युधिष्ठिरस्प सन्देश- दुर्योधनः-भाः! आभाष्यत्वम् थाहमयधृतप्राण्डरातपनी, दिसबरहस्तधृताम्बुसितमूर्धा । अवनतनृपमण्डलानुपात्र, सह कपयामि भवदिधन भाषे ॥३७ पामुदेषान्न म्याइरति किल मां पुयोधनामी ! साट ! मान्धवनि:स्नेह !काफ! केकर पिल।। प्रदर्षात्कुरवंशोऽयमचिरानासमेप्यति ॥८॥ भोमीराजाम! गच्यामस्तापत् । दुर्योधनार्थ पास्पति किल केशवः । दुशा- सन ! दुर्मर्पण ! दुमुंग्य ! दुपुढे । दुष्टसर ! दूत- समुदाचारमतिकामा संशयो यध्यताम् फरमशता। दुशासन !न समर्थः स्पसि!

·कर्थ पराङमुखः पतति । भवतु। अहमेव भवतु। सुयोधनस्य सामर्थ्य पश्यामि । (विर करितुरगनिहन्ना महन्ता स कृष्ण, पशुपफुलनिवासादानुजीन्यानभिज्ञः । हतमुजयलयीयः पार्थिवानां समझ, स्ववचनकृतदापी पध्यतामेप शीघ्रम् ॥३॥ श्रयमशक्तः। मातुल ! पध्यतामय केशव पाशर्वघ्नामि। (पारामुपम्योपसर्पति ।) वासुदेषः कथं भवितुकामो मां किल सुयोधनः । रूपभास्थितः।) दुर्योधनः-भो दूत! पातनाजातदो, सृजसि यदि समन्ताद्देवमायाः स्वमाया, प्रहरसि यदि वा त्वं दुर्निवारैः सुरास्त्रैः। हयगजवृपमाणां नरपतिगणमध्ये पध्यसे त्वं मयाद्य॥४०॥ श्रा ! तिष्ठेदानीम् । कथं नष्ट केशव । अब केशवः। अहोहत्यत्य केशवस्य । प्रातिष्ठेदानीम् । कथं न दृष्ट केशवः । अयं शयः । अहो दोघव केशवस्य । कथं न दृष्टा केशवः । अयं केशवः । । -

·सर्वत्र मन्त्रशालायां केशवा भवन्ति । किमिदानी
“करिष्ये ? भवतु, दृष्टम् । भो भो राजानः ! एके-
नक: फेशवो पथ्यताम् । कथं स्वयमेव पादयद्धाः
"पतन्ति राजानः ? साधु भो जम्भक ! साधु ।
मत्कार्मुकोदरविनिःमृतवाणजाले,
विद्धक्षरत्क्षतजरक्षितसर्वगात्रम् ।
पश्यन्तु पाण्डतनयाः शिपिरोपनीनं,
त्वां पाप्परतुनयनाः परिनिादयसन्तः ॥४॥
(निपान्तः ।)
यासुदेक- भवतु । पाण्डवानां कार्यमहमेव साध-
पामि । भोः सुदर्शन ! इतस्तावत् ।
(सत. प्रविशति मना)
मुदर्शन: एप भो!
श्रुत्वा गिरं भगवतो विपुलप्रसादा,
निर्धावितोऽस्मि परिवारिततोपदीयः ।
फस्मिन्बलु प्रपितः कमलापताक्षः
फस्पाय मूर्धनि मया प्रपिजृम्भितल्पम् ॥४२॥
एनुग्यलु भगवानारायणः।
अव्यक्तादिरचिन्त्यात्मा, लोफमरक्षपोपमः ।
एकोऽनेकपः श्रीमान, विपदपलानिपूदनः ॥४॥

·अयं भगवान्हस्तिनम HINDI हन्त सवन्नि (प्राचम्योपल्या) जयत् भगवान वासुदेवः सुदर्शन ! अप्रतिहतपराक्रमो मा। वासुदेवः-भोः सुदर्शन ! इतस्तावत् । भवतु चपलचर्क कालचक्रं तवाद्य ॥४६॥ मुदर्शन:--भोः सुयोधनहतक ! तिष्ठ तिष्ठ। (विज्ञोस्य) अये दूतसमुदागारेणोपस्थितः । कुन: मत्वा ।। बल्यापः ? भगवति आकाशगने ? आपस्तान रायणः। (प्रयमसि।) सुदर्शन:-अनुगृहीतोऽस्मि । वासुदेवः-दिष्टया भवान्कर्मकाले प्राप्तः । सुदर्शन:-कयं कथं कर्मकाल इति । भगवानाज्ञापयतु। कि मेरुमन्दरकुल परिवर्तयामि, संक्षोभयामि सकलं मकरालयं वा। नक्षत्रवंशमस्त्रिलं मुवि पातयामि, नाशक्यमस्ति मम देव ! तव प्रसादात् । सुयोधन! यदि लवणजलं वा कन्दरं या गिरीणां, ग्रहगणचरितं वा वायुमार्ग प्रयासि । मम भुजवलयोगमाप्तसंजातवेगं, (पुनर्विचा।) प्रसीदतु भगवान्नारायण ।

·.
महीभारापनयन, फतु जातस्य भूतले ।
अस्मिन्नेनं गते देव !, ननु स्यादिफलःश्रमः ॥४॥
वासुदेवः सुदर्शन ! रोपात्समुदाचारो नावे-
क्षितः गम्यतां स्वनिलयमेव ।
सुदर्शनः यदाज्ञापयति भगवानारायण । कर्य
कथं गोपालक इति । त्रिचरणातिझान्तत्रिभुवनो
नारायणः स्वल्पनभवान् । शरणं प्रजन्तु भवन्तः ।
यावद्गच्छामि । अये एतद्भगवदायुधचर शाङ्ग
मातम् ।
तनुमृद्धललिताङ्ग स्त्रीस्वभायोपपन,
हरिकरघृतमध्यं शत्रुसंधैककालः ।
कनकग्वचितपृष्ठ भाति कृप्यस्य पाश्र्वे,
नवसलिलदपाणे घार विद्युल्लतेव ॥४ा
भो भो शाङ्ग प्रशान्तरोपो भगवानारायण ।
गम्यतां स्वनिलयमेव । हन्त निवृत्तः । पावद्ग-
च्यामि । थपे इयं कौमोदकी प्राप्ता ।
मणिकनकविचित्रा चिप्रमालोत्तरीया,
सुररिपुगणगानध्वंसने जाततृष्णा ।
गिरियरतटरूपा दुर्निवारातिवीर्या,
ब्रजति नभसि शीघ्र मेघन्दानुपामा ॥४८॥

·जन्यः प्राप्त
स्वनिलयमेव । हन्त निवृत्त । अये नन्दकासित
२०)
हे कौमोदकि! प्रशान्तरोपो भगवानारायण ।
हन्त नित्ता । यारगच्छामि । अये अयं पाय
पूर्णन्दुकुन्दकृमुदोदरहारगीरो,
नारायणाननसरोजकृतप्रसाद'।
यस्य स्वनं प्रलयसागरघोपतुल्यं,
गर्भा निशम्य निपतन्त्यसुराङ्गनानाम् ॥४९॥
हे पाशजन्य ! प्रशान्तरोपो भगवान् । गम्यतां
!
माप्त
पनिताविग्रहो युद्ध, महासुरभयकर।
प्रयाति गगने शीघ, महोल्केव विभात्ययम् ॥५०॥
हे नन्दक! प्रशान्तरोपो भगवान् । गम्यतां
स्वनिलयमेव । हन्त निवृत्तः । यावद्गच्छामि ।
अये एतानि भगवदायुधवराणि ।
सोऽयं खड्गःखरांशोरपहसिततनुस्:करैर्नन्दकाल्य
सेयं कौमोदकी या सुररिपुकठिनोर स्थलक्षोददक्षा।
सपा शोभिधानाप्रलयपनरवज्यारवा चापयष्ठि,
सोऽयं गम्भीरघोप-शशिकरविशदः शङ्खराट् पाश्चजन
॥५१॥

·। । शाभ कामोदकिपायजन्य,दैत्यान्तकृनन्दयाशयह शान्तरोपो भगवान्मुरारित, स्वस्थानमेवात्र हि गच्छ तापत् ॥१२॥ हुन्न निवृत्ताः । पापद्गच्छामः । भये अत्यु. दुघूती घायुः । यतिनपत्यादित्यः। पलिताः पर्वता। क्षन्धाः सागराः। पतिता रक्षाः । धान्ला मंघाः। मलीनापागु किप्रभृतयो भुजङ्गावराः किन्नुपल्यि. दम् । यये ययं भगवतो परवाहनागरा प्राप्तः । मुरासुराणां परिदलन्ध, पेनामृतं मातृमियाक्षणाम् । प्राच्छिन्नमासीदद्धिपता मुरारे, म्त्वामुदहामीति परोपि दत्तः ॥२३॥ हे फाइपपमियमुत ! गट ! प्रशान्तरांपा भगवान्देवदेवेशः । गम्यमा स्पनिलयमेव । हन्न निवृत्तः । पापगच्यामि । एते स्थिता विपति विपरपक्षमिद्धा, दयाक्ष गम्भ्रमरलन्मुहटोत्तमागाः। सप्टेच्युते विगतकान्निगुणा: प्रशान्त, श्रुत्वा अपन्ति मदनानि निमनापाः ॥६४ पायदहमपि कानां मैग्गुहामेष पास्यामि ·पामुक-सर्व गृहपामि । किं ते भूपः मिय- ( २२ ) - वासुदेवा-यावदहमपि पाण्डवशिविरमेवयास्यामि। (नेपथ्ये) न खतु न खलु गन्तव्यम् । पासुदेवः श्रये वृद्धराजस्वर इव । भो राजन् ! एप स्थितोऽस्मि । (ततः प्रविशति एतराष्ट्रः।) धृतराष्ट्रः-फ नु खलु भगवान्नारायणः । क नु- खनु भगवान् पाण्डवयस्करः। क नु खलु भग- यान्विमप्रियः । क्य नु खलु भगवान्देवकीनन्दनः । मम पुत्रापराधात्त, शाङ्गपाणे ! तवाधुना एतन्मे त्रिदशाध्यक्ष, पादयोः पतितं शिरः॥५॥ (पतति ।) वासुदेवः-हा धिक् ! पतितो प्रभयान् । उति- छोत्तिष्ठ । धृतराष्ट्रः-अनुष्ठीतोऽस्मि । भगवन् ! इदमयं पाच प प्रतिगृह्यताम् । मुपहरामि। धृतराष्ट्रः पदि में भगपामसम्मः, किमतः परमि- पदामि।

·( २३ ) वासुदेवः गच्छतु भवान्युनदर्शनाय धृतराष्ट्रः यदाज्ञापयति भगवानारायणः । मिजात) (भारतवारपम् ।) इमां सागरपर्पन्ता, हिमवदिस्यकुण्डलाम् । महीमेकातपप्रादां, राजसिंहः प्रशास्तु नः ॥२६॥ (मिकामा सरें।) इति श्रीमहाप विमामविरचिन दूनवार पमानम् ।

·सीता--भार्ये ! उपहारसुमनयाकीर्णः समार्जित
.श्रीमासविरचित
प्रतिमानाटके
पञ्चमोऽङ्कः।
(ततः प्रविशति सीता तापमी ।)
प्राश्रमः । श्राश्रमपदविभवेनानुष्ठितो देवसमुद
चारः । तद् यावदार्यपुत्रो नागच्छति तावदिमा-
पालवृक्षानुदकपदानेनानुक्रोशयिष्यामि।
तापसी अविघ्नमस्य भवतु ।
(ततः प्रविशति समः।)
रामः-(सशोकम् ।।
त्यक्त्वाता गुरुणा मया च रहितांरभ्यामयोध्या
मुद्यम्यापि ममाभिषेकमखिलं मत्सन्निधावागतः
रक्षार्थ भरतः पुनर्गुणनिधिस्तत्रैव सम्प्रेषितः
कष्ट भो नृपतेधुरं सुमहतीमेकः समुत्कर्षति ।
(विमृश्य । ) ईदृशमेवैतत् । यावदिदानीमीय
शोकविनोदनार्थमवस्थाकुटुम्बिनीं मैथिली पश्या
।

·सत् पय नु पलु गता चंदही। (परिम्पानोपय ।) भये इमानि. बलु प्रत्यमाभिषियानि वृक्षमलानि भरगतां मैमिली गूपयनि नया हि- भ्रमनि सलिल रक्षावने मनमयस्थित, तृपिनपतितानंत हिटपिवति जल व्वगाः । स्थलममिपनल्यापीटा पिले जलाग्नेि, नववलपिनो वृक्षा मल जलक्षपरंपरा ॥२॥ (विनोय।) अ इ दही । भोः बाटम् । यो स्या: यार: आम्पनि दर्पणेऽपि, म नलि बंद पाला पहनायपि । फष्ट पर्न ग्रीजनमोहमार्ग, मर्म लताभिः पठिनापारामि ॥ (पेप।) मैथिलि अतिसपी पते । मीना पारपुरः । जपत्यार्य पुनः । गगः-मधिलि ! पदिने नास्ति धर्मपित भारत. मीमा-पदार्ग पुन पासापयति । (ref) -মাধি মনিরখানাথাবলামি मिदम् । मीना-न्यहदपरगपुपरप गुग्परागः।

·यामि । वाचानुत्तिः बल्यतिथिसत्कारः। जिनों गोत्रोऽस्मि । साङ्गोपाङ्ग वेदमधीये मानवीय धर्म- शास्त्रं माहेश्वर योगशास्त्रं याहस्पत्यमर्थशास्त्र रामः-भगवन् ! भ्रष्टायां पितृमत्तायामागम रावण:-( मापागमायाकुचो भरवा ) भानु मस्तु इयमेका पृथिव्यां हि, मानुपीणामरुन्धती । यस्या भतेति नारीमिः, सस्कृतः कथ्यते भवान् । रामः-तेन घानय ! अहमेव शुपयिष्ये । ' रावणः अपि धायां :परिहत्य शरीरं मला ऽस्मि । श्रास्यताम् । रामः थाढम् । ( उपविराति।) रावणः-(प्राग्मगतम् ) यावदहमपि ब्राह्मणसमुद्दा चारमनुष्ठास्यामि । (प्रकाशम् ।) भो ! काश्या मेधातियेायशास्त्रं प्राचेतसं श्राद्वकल्पं च । रामः-कथं कथं श्राद्धकल्पमिति : रावणः सर्वाः श्रुतीरतिक्रम्य श्राद्धकल्पे रहा दर्शिता । किमेतत् ? इदानीमेपः। रावणः-अलं परिहत्य । पृच्छतु भवान् । रामः-भगवन् स्तर्पयामि। । निर्वपनक्रियाकाले केन पित ·रावण:-सर्व श्रद्धया दत्त' श्राद्धम् । रामः-भगवन् ! अनादरतः परित्यक्तां भवति । विशेषार्थ पृच्छामि। राबरः श्रूयताम् । विरूटेष्ठ दर्भा अोपधीप तिला: कलायं शाकेषु मत्स्येष्ठ महाशफर पक्षिषु पाणिसः पशुप गौः दङ्गो पा इत्येते मानुपाणां विहिताः रामः-भगवन् ! धाशब्देनावगतमप्यन्यदस्तीनि ? रावणः अस्ति, प्रभावसम्पायम् । रामः भगवन् ! एप एव मे निश्चयः । उभयस्यास्ति सानिध्य, पद्यतत् सापपिप्यति। धनुर्वा तपसि प्रान्ते, धान्ने धनुपि या तपः ॥९॥ रावणः सन्ति, हिमयति प्रतिवसन्ति । राम: --हिमवतीति ? ततस्ततः। रायणः हिमवता सप्तमे राङ्ग प्रत्यक्षरयाणुशिर:- तितगङ्गाम्बुपापिनी पैदूर्यश्यामपृष्टाः पचनसम- जवाः काञ्चनपाद नाम मृगाः पर्वखानसा- लम्बिल्यन मिशीपादयो महर्षपयिन्तितमात्रो रस्थितपिपत्र श्राद्धान्यभिवर्धयन्ति । स्तर्पिता. सुतफलं पितरी लमन्ते, हिरवा जरां बमुपयान्ति हिदीप्यमानाः।

·No text on this page.

·भीभासते. स्वप्नवासवदत्ते नाटके पञ्चमोऽङ्कः। (ता. प्रदिराति पदिमनिका।) पपिनिका-मधुपीके भयुकरिफे। मागच्छ सावीपम् । पिर) माकरिका-हला श्यमस्मिा किं क्रियताम् । पप्रिनिकाला कि न जानासि त्वं भा. दा. का पद्मावती शीर्षवेदनया खिति। मधुमारिका हाधिक। निकाला गच्छ शीपम् । भार्यामाय- :न्दापपावलं मतदारिकापा: शीर्ष :निवेदपाततः स्वयमेपागमिष्यति। चरिका-इला दिसा करिष्यति । मनिकासा खत्विदानी मपुराभिः कया. दारिकायाः शीपयदना विनोदयति ।

·मलादेश दशमी, मोतामादार गम्यनि । क्षागार्म पदिनिम्म, फुपा रामः परामम् ॥२१ सी-भार्यपुत्र ! परिवापस परिनापत। राषण:-(परिकामा विमोला) भो पयनीरक्षेपक्षभिनयनापपुरभिधारन्येष जटायुः। भा. तिलंदानीम् । मभुजाकृष्टनिस्त्रिंश, कृनपक्षमतन्युने। रुधिररागात्र त्यांनपामियमसादनम् ॥२२॥ (निशाम्तो।) इवि भीमहाकविमासविरपित प्रतिमा नाटपापमोड।

·न्तिको शम्दापविल मत पारिफापा: शीर्ष भीमासान स्वप्नवासवदत्ते नाटके पञ्चमोऽङ्कः। (वन, मदिराति पद्मिमिकता) पपिनिका-मपुरिके भयुकरिफ ! मागच्च लावणीम्। वि) मारिका हलापमस्मि । किं पिताम् ! रनिनिकाला किं न जानासिव मतदा. रिका पद्मावती शीर्षपदनपा बिति। मधुपरिका हाधि। पावनिकला गण शीमम् । मापामाप- घेदनामेप निवेदयामास्वपमेपाममिप्यति । मधुपरिका-इला किंसाकरिष्यति। पपिनिकासा नल्पिदामी मपुराभिः कपा- मिर्मत् दारिकापाशीपवेदना रिमोदपति । F ·तत्रभवतो वत्सराजस्य पद्मावतीपाणिग्रहणसमी। मधुफरिका-युज्यते । पुत्र शयनीय रचित मतदारिकापाः। पनिनिका-समुद्रगृहके फिल शय्यास्तीर्ण । गच्छेदानीं त्वम् । यमपि भत्रे नियंदनार्यमार्य- वसन्तकमन्विष्यामि। मधुफरिका-एवं भवतु । (निफ्राना।) पनिनिका-पुत्रंदानीमाययसन्नई पदयानि । (ततः प्रचिराति विदूषक:) विदूषकः अद्य बलु देवीवियोगविधुरहृदपत्य रितस्यात्यन्तसुखावहे मङ्गलोत्सवे मदनाग्निदाही धिकतरं वर्धते । (पदिमनिळ विलोक्य) अपि पनि निका ! पमिनिकै ! किमिह वर्तते ! पद्मिनिका धार्य वसन्तक ! किन जानासि त्वं भर्तृ दारिका पद्मावती शीर्षवेदनया दुःखितेति । विदूषकः-भवति सत्यं न जानामि । पद्मिनिका-तेन हि भनें निवेदयनाम् । याव- दहमपि शीर्षानुलेपनं त्वरयामि । विदूषकः कुत्र शयनीयं चरितं पद्मावत्याः । पद्मिनिका-ममुद्रगृहके किल शय्यास्तीर्णा ।

·विदूपक-गच्छतु
भवती । पापदमहपि तत्र.
भवने निवेदयिष्यामि । (निष्क्रान्ती ।)
(प्रवेशकः)
(नत: विरानि मामा)
राजा-
इलाध्यामयन्निनृपतेः महशी मनृजां,
फालपमेण
पुनरागमदारमारः ।
लावाषक हुनयन हताशयाटिं,
तां पचिनी हिमहतामिय चिन्मयामि ॥१॥
(मविश्प)
विदूषकः त्वरनां त्वरतां सायनयान ।
गजा-किमर्थम् ।
विदूषकः मनभयती पद्मावती सोपंदनग
ग्विता।
राजा-फयमाह 1
विपक-पधिनिया पाधिनम् ।
गजा-भी: पाष्टम्।
रूपश्रिया ममुदितां गुणन युगों,
लप्या मियां मग तु मन्द दारा नायः ।
पूर्णभियानमाजोपनुभूतका
पभापतीमपिप गर्थयामि ॥६॥

·अपकमिसन : -मग किन hit न दिगमार्गमादगा। frThd मान ! (TH TRITI) दिमागहमागणु भगन् । गा-पूर्ण प्रपिता। मिक-माला(afm) मिनिट तितु तापवान् । राग-किमर्थम् । विपर-एप म्पनु दीपप्रभागितम्लो वसु- पातले परियर्नमानोऽयं कामांदराः । गजा-अभियावसीय मित्र) अहां मपंग तिपयस्य। प्राज्यायतां हि मुग्यतारणलालमाला, भ्रष्टा क्षिती त्वमवगच्छसि मूर्य सपन् । मन्दानिलेन निशि या परिवर्नमाना, किञ्चित्करोति भुजगस्य विचेटिलानि ॥३॥ विदूषकः-(निरूप्प) मुष्ट भवान्भणनि । खल्वयं काकोदरः । (प्ररियानोश्य) तयभवती पद्मावतीहागाय निर्गता भवेत् ।

·गजा-पपस्य ! धनागतया भवितव्यम् ।
पिपक:-क भवाझानाति ?
राजा-किमत्रमेयम् । पदय ।
गय्या नायनता तथास्तृतसमा न प्याकुलमन्यदा,
नलिष्ट हि शिरोपधानममल शीपाभिधानाधः ।
रोगे रष्टिविलोभन जनयितु शोमान काषिता,
मापी प्राप्यरजापुननं शयन भीम स्वयं मुश्थतिया
विदूषकः-तेन हास्यां भाग्यायां मुहर्मगुपविक्ष्य
तप्रमवता प्रतिपालयतु भवान् ।
गजा-पादम् (उपविरप) पपस्य ! निद्रा मां
पायते । कथ्यतां काचिन्कया।
विपकमाई कथयिष्यामि हो इमि परोस्पप्र.
भवान।
गजा-पाहम्।
विदूषकः अस्ति नगर्पजपिनी नाम | प्राधि.
फरमणीपान्युदयस्नानानि पर्नन्से शिन ।
गज-फचमुज्जपिनी नाम !
বিঘে-সিমনাযায় বিযােনি।
गा-पयस्याम पनु नाभिप्रपा कारिन्तु
म्मरम्पयन्त्याधिपःगुनापा,
प्रस्थानकाले म्पनन स्मरन्गः।

·( ४० ) पापं प्रवृत्त नयनान्नलग्नं, स्नेहान्ममैवोरसि पातयन्त्याः॥५॥ अपिच- यहुशोऽप्युपदेशेष, यया मामीक्षमाषया । हस्तेन सस्तकाणेन, कृनमाकाशवादिनम् ॥ विदूषकः-भवत्वन्यां कथयिष्यामि । अस्ति नगरं ब्रह्मदत्त नाम । तत्र किल राजा काम्पिल्यो नाम । राजा-किमिति किमिति ? विदूषकः-(पुनस्लदेव परनि।) राजा-मूर्ख ! राजा ब्रह्मदत्तो नगरं काम्पिल्य- मित्यभिधीयताम् । विदूषकः-कि राजा ब्रह्मदत्तो नगरं काम्पिल्यम् ! राजा-एवमेतत् । विदूषकः तेन हि मुहर्नकं प्रतिपालयतु भवाः न्यावदोष्टगतं करिष्यामि। राजा ब्रह्मदत्तो नगर काम्पिल्यम् । (इति पहुशस्तदेव परति । ) इदानी शृणोतु भवान् । अपि सुप्तोऽत्रभवान् । अनिशीत- लेयं पेला । यात्मनः प्राचारकं गृहीत्वा मिष्यामि । (निक्रान्तः ।)

·-- (४१ ) (सन: पविराति पासवानाऽऽयन्तिमावेश घेटी ।) पेटी-पत्वेत्वार्या । इदं वलु भर्तृदारिका शीविदनया दुम्विना। यामबदत्ता हा ! धिक् कुत्र शयनीयं रचितं पद्मावत्याः घेटी-समुद्रगृहके किल शय्यास्तीर्णा । पासवाना-लेन अग्रतो याहि । (उभे परिकामतः) पेटी-इदं समुद्रगृहकम् । प्रविशवार्या। पाप- दहमपि शीर्पानुलेपन त्वरयामि । (निकान्ता ।) घामयना-अहाँ अझरुपा: बल्बीदवरा में। धिर- हपर्युत्सुकत्यार्यपुत्रस्य विश्रामस्थानभूतेयमपि नाम पधावत्यस्वस्था जाना । पावत्मविशामि । (मविश्या. पलोय) अहो परिजनस्य प्रमादः। अस्वस्थां पद्मा- यती फेवलं दीपमहायगं कृत्वा परित्यजति । इपं पभापत्यवानुमा । पायदुपविशामि । अथवा न्याम- नपरिग्रहपाल्प इब नहः प्रतिभाति । तदरयां शप्पापामुपविशामि । (उपविश्य) किं नु ग्वोतया महोपपिशन्स्पाए प्रादादिप्तमिय में एदयम् । दिष्टया विचित्रमुग्वनिःश्यामा । निसरोगया भविनय्यम् । अधयंकादेशमविभागमपा अपनीयम्प

·गुमानि मामाणिनि पा(t
गमा-नागामार!
गाना-(i) ! भारः !
मनु पमापी ! मिनु स्टाम्मि । महान
महान् मन्यायपोगधगण प्रतिभामागे
दनिन निकग:मंतः।
गाहा भयलिगमात्रि!
पामरता-दिष्टया स्थानापनं गन्यापुत्रः ।
नाय फशिग्जनः । पारमहर्नर शिया दटिहार
घतोपयामि।
गा-हा प्रिये ! हामियशिष्ये । देदि में प्रति-
यचनम् ।
वामपदत्ता पालपामि मनः यालपानि ।
राना-किं कुपितासि ?
पामयदत्ता-न हि न हि द्वाग्विनास्मि ।
राजा यकृपिता किमर्थ नालंकृतामि ?
वासवदत्ता इतो वरं किम् ?
राजा-कि विरचिकां स्मरसि!
वासवदत्ता--(स्वप्नायने ।) या अपेहि । इहापि
विरचिका।

·राजा-तेन हि विरधिकार्य भवती प्रसादपामि । (स्तो प्रसारपति) वासवदत्ता-चिर स्थितास्मि । कोपिमांपश्येत् । तद्गमिप्यामि । अथवा शय्यानलम्बितमार्य पुत्रस्य हस्ते शयनीय थारोप्य गमिप्यामि । (सथा निकान्ता) राजा-(सहसोयाम) पासवदत्त ! तिष्ठ तिष्ठ । हा धिक। निप्यामन्सम्ममेणाह, मारपक्षण ताडितः। ततो व्यक्त न जानामि, भूतार्थोऽयं मनोरथः ॥७॥ (प्रविश्य) विदूपका-अपि प्रतिघुरो प्रभवान् ? राजा पपस्य ! प्रियमावदपे । धरते बलु पासवदत्ता । विदूषक-विहा! पासपदा । पुन पासप- दत्ता ? चिरातयनूपरता घामबदता। राणा-पपस्य ! मा मंवम् । शरयायामपसुप्त मां, पोधपित्या स! गता। दग्धेनि बता पूर्व, पशिमोऽस्मि यमण्यता ॥an

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·DUTAVAKYAM A menage Wrough an Ambasador TRANSLATION ACT I (Enter the Stage-manager smmediately after the inrocation.) Stage-manager-May the foot of the youpger brother of Indra protect you The foot which' 18 8 festive joy to all the worlds and by which, with its mall and red nails, Namachi, demon, was thrown in tho oky. (1) Thos I request the venerable gentlemen. Ob bow now i When I am engaged in requesting, monothing like a word is heard. Well! Let me gee. (Behind the curtain.) Oh you, keepors of the door, Llis Majesty the King Daryodhana commands. Stage-papazer-Wall, I bayo it. Hostility of the song of Dhritarushtr with the RODE of Panda las risen up and 30, by the order of Duryodhans his servant is arranging the council ball (2) (EXIT.) (Tho Prelado.) (Then cater the Chamberlain.) Chamberlai LY-ih, on the grest king AL All the king kings. (Tur ·Dar. With auger thrown away, as it were, MJ heart becomes full of joy, thinking of this festival the battle that is coming up. I wish to make the months of the best elephants in the army of Panda Chamber.Victory to the great King. Accord ing to the mandate of Your Majesty the wholo circa Chamber.--As Your Majesty commands. (Erik) I have & collection of an army consisting of elerea Dur.-Venerable Vajkarna and Varshaders, 45, Who deserves to be the important affair. Can be said after consultation What do Your Honours say ? This, indeed, S 42 Right this. Then, come on ; We shall enter the council-hall itself. Preceptor, I bow to you, Your Friend Karna, let us at (2) is this great king Duryodhada, coming in this very direction. He, who Dark, young, with his apper garment made of white silk, has a beautifal umbrells and chories held over him and has his body besmeared in the guent ; glorious, with his limba redded by the ruliance of the jewels in his ornaments, he shines as does the fall moon in the midst of stars of the fifteenth night,--Purnima. (3) (Then enter Duryodhana as described.) vas such as will have their clab-like tasks eat of by me, i. e., I shall now cut off their teeth.) (4) of kings have assembled Dar.--Well done. Go you to the barem. Akshathinis of soldiers Commander-in-chief of this army? \Yorship will enter the council-hall warriors, freely enter ooter Fou, ·(Entering) Preceptor, here is tortoiss-seat pleaso sit down. .... Well, what' The great king us not fitting! ON, tho nervice! Vel! Here I sit. (atting) Venerable Vaikarnı and Varsbadera, please tell as,.... Vhnt ways tho maternal uncle! When His Honour the son of the Gangos is here, who else deserves to be the Commander-10-chuel? Well says the maternal-Qacle, Let the grand-Iather bo the Commander, Ve, too, wish the natio. Let the hearts of kings (on the side of the enemy) fall down together within the waters of coronation, Willing on the head of Bhishma, the 100 of tho Ganges, attended with the round of couches, tho booming of the war-drums and battle cries of the Armies, which are like the sound of the oceans atruck by terrible wiads (5) Chamber.Glory to Your Majesty. Vero comeu 19 an ambassador Sári Krishas, the best amongat men, from the camp of Pandarus. Dar-Oh so, you Badarayana, what! What hay you! That servant of Kapsa who was bound on his stomach (by his mother) is your best amongt men ! That cowherd is your coollont person ! "Ho wko u robbed of his territory and the enjoyinent of his farae by Jerusandhs is your glorious person! Oh, tho etiquetio of servants living by the side of the lord of the earth. Arrogant, indeed, is his address. Ah, iway with you. Chamber.--Bo pleased, Your Majesty, be pleased. Throagh Barry the proper form of address was for gotten. (Fals at the feet) Dar.-- Flarry, you my! Well! Flurry is quito Datonal for men. UP. Get up ·is the only form. Oh you kings, what is proper fe Honours say ? With an openos of the materials of Yerly, when Vasubhadra (Krishna) 13 csptare Pandayas will be blind, as it were. When Deudsti will be void of their refage and counsel, the whole earth, indeed, will be without any enemy form. Moreover, whosoever rises in bonour of Kezbars will be fined twelve Bhars (2-1000 of Tolas) of gold by me. Therefore, Your Honours will be create (To himself.) Now, what, indeed, shonld be an en ent for me for pot rising? Oh, I Este it (Alle Badarsytua, well, bring that painting bereits drawn the dragging of Draupadi by her baie garment (To himself.) Casting my eyes on it It Chamber. As the great king cardsnds. (Gent out ad entering.) May Your Vajesty toner! Chumber. As Your Highness orders. (Sprout Duri-Oh! Yorth seeing is this drawing. He u Dusshagana catching Draupadi by the braid alle Seized by Dashasane, with her eyes erpaded through commotion, shining like s digit of the me Chamber.I am beboiden to the kids. Das.dow I am pleased. What messenger come ? Chamber,---Tho messenger, Lehr, 135 Dor.-Keshara! Thas should it be desired This Keshasa, come as a messenger ? What do re worship ho should be honoured. I do not like 1 feel his capture hero is beneficial not rise for Keshara Here is the picturo canvas Dar-Spread it beford mo. hair. Hore, indeed, is this Draupadi. caught in the month of Raba (7) - 3 ·Laughing, 15, as it were, contracting the delight (5) Here this wicked Bhimar, eeeing Draupadi insulted o the presence of all kings, with his anger excited, w lifting up the pillar of the hall Here this Yodhishthira, Endowed with trathfulness and arersion, (for sin), with his conscience deprired by gambling, is making Bhims carb bis anger. (S) Now, this Arjuna bere, Whose eyes are affected by rage and whose lower lip is throbbing, considers the group of his eaeries By a blade of grass He is gently drawing the string of bis Gandiva bow with the desire of destroyug, as it were, all the kings (9) Here is Yadhusbthira preventing Arjant. Here these Nakala and Sahadera, Girding ap thire loins, with shields and swords in their hands, bare the complexion of their facos getting more rough and are clearly biting their lover lips Free from the danger of death they are hastily going ap towards my brother in great spint m do tho fawns towards a lion. (10) Here is this Yadhishthira going to tho tro princes and warning them off, saying I am myself mean; olio, how sboaid my own intel. lect fail? You know tho nght and wrong policy, in gambling and so you must give up your negoto-lay Il we do not tolerate the inrult caused by gambling Our erploita will be copeared amongst (bs) persons superior bravery. (11) Hero is Shakuni, the king of Gandhan, That gamblor, throwing the dice and proud ·improper duty of an ambassador and have come up ing askance at the weeping daughter of the king Drupada and scratching the earth with his wicked of shame on account of seeing her and are covering pression of feelings! Oh the propriety of the pic ture! This picture is very clearly painted. I Chamber.--As the great king orders. (Exit). That Krishps of black talents, being asked by Pandsyas, has, indeed, come here to-day as a serpent with their message ; yon, also, prepare your tiry friend Karna, to listen to the words of Yudhish thin, (Then enter Vasudeva and the Chamberlain) dhishthira and owing to the unartificial friendshup To-day, indeed, on account of being asked by Yoof Dhananjaya I have also taken upon myself the to Sayo thans who is proud of (his skill in) war and The forest of bamboos in the form of (the brid. ches ol) Kurn family is destroyed in battle by the fire in the form of the anger of Bhima, bom of the inrult of Kowna -of Bhima who holds & MAI ( 6 ) his enemies by his own fame, (skill in gambling? Sitting fearlessly on his seat, the politician is staro dio. (12) This preceptor and this grand-father, here are full richness of the colour of this painting! Oh, the ex pleased. Who is there? Chamberlain-Glory to Your Majesty. Dar.–Badarayana, bring in that envoy who is proud of his only conveyance of the bird. Duryodhapa-Friend Karna, tender like those of a woman. (13) who would never listen to what 19 said.

·Oh mtu*enger, hero 1 rest, please 1 down. -- ( 7 ) charp (enoagh) in tearing the brond temples of the enemy's army and by the rolept winds in the form of the arrows of partha. (14) Here is the camp of Sayodhane. llere, indeed. Aro theso quarter of kinge liko dinne Oities built According to their own will; thero expensive armourits fall of weapons of nanons efecto, bero thens troops of horses standing in the stables are neighi26 and elephants are roaring Thutbnyang prosperity Pis (tow) nearing its destruction on account of bis disregard for his relatives. (18) Oh, A wicked speaker, a bater of vrtaca, rogue and cruel towards hus broibors, venis this Suyo dhana will not do bus daty (eren) if he sees me. (16) Oh Balarajane, What, should wo enter? Chamber..Yes, yer. Padmanabha denersex 10 Vara.Folering.) How Dow! All WarTiON STO confused by aceing me! Enough, was with con. fusion. Your Honours might sit down without any Dar-low! What I All the warriors are con Ponaded, seeing Kembara. Away, ***y with 11! confounding Remember the already pronounce fide; why! I have ordered Vare-Approaching ) On Buyothians, how do you cater. furry. do ? DheFalling down from his goal, to hrdine Is in quilo clear that Kexlara han varly come. Very rraloarly did I make revolution and lowly did I stick to my cat; but log the pure Keshara 1 * more from my seal. (17) Oh I This messenger is full of jugglery. (A ·I have a white umbrella held over (10) head was sprinkled with water held in the last 2 the best of Brahmanas. I do not, I tell you talk : persong of your type who are the followers of se Vaso.--Sayodhana does not speak to me Rogue ! Hator of brothers ! Crow ! Squiat Alonkey I On account of you will this Karu-lamely Dur. -How, indeed, will kosbara gol Duss man 1. Bind Keshavs as bo trapsgrouded the top This killer ol a hore and an elephant, 2015 daror of Kansa, Krish08-ignorant of the day servant on account ol living in the house of a he has lout the valoar of the streagth of Arms, ho guilty on accoumt ol hu on (here) in the presence of kings i , arrot Air fle u unablo. Vacla! Biod him. That! down with h4 face tarned! Woll I ballbim in person with n002. (Approuchon with a Vesa - Ilow Sayo Iban muhri to bini , ( 12 ) ! Vama.--I set it be 80. We do not want to without delivering the message. So, let the messa" of Yudhishthira be heard. Dar-Ah, you are unfit to be spoken to. of kings, lower than myself. (87) to immediate destruotion. (39) Oh you kings, we are going now. of a moegenger herd once (35) why, you are paabla! t Stand, ia 231153 Right! I shall his power. form Dus.-)mestonger.

·who is (ere) accompaniet with larini and who jnegler! (13) Even if you croato theso dirine jagglerior and your own, or strike with dirine males that are not tiblo, you are being bound today in thu insembly of kinge ; you-who are proud of knocking down horro, an elepbsat Rad & bull (40) 05 I now, stand. How ! Not soon! Well! Ilere ho is; how short!......Well dono! Bravo! you Ihercod by & act-work of arrows sesang from the interior of my bow, with all your limin red. dened by tho oozing blood and taken (than) to thrus camp, may the sons of Panda, breathing hard, with their eyes dimmed with tears,sce you."(41) (Exit) Var...Well II ball tyvell do the work of Pra- ATH. O Sadanbana! Tiere, please 1 (Then enter Sadanabana) Sadarbana Ilearing the word, full of a great favour, of the fryered Lord, I have run up, posting of this mano! clonds. Will shorn, indood, in the loloe-eyelangry? Whong bond should I crash to-day? (42) Whoro may ibo divino Narayana ho ? Ila Whowo beginning is not distract for who it the CALLAO of the indistinot matter), whone form in a conceivable; who is (over) perjured to protect the world; who le slono And etili, has a natuloir of forna the destroy or of the newly (48) Moring) oh, here ha xandt at the rule of Ilustus pon in the faint of in raroy, hern, indemla water 1..01, it poun.. Victors to the divine Na Vantay sour ralent in anobetraie sady YADA ·Lori Should I turn round the Mert and Haders of mountains or the region of the wind in which the group of planets moves, lot this duo of mine, mit Sad.--Oh wretched Suyodhsaa, atop, atopi (twist You are born on the surface at the earth to take ot its burden. If this fellow is reduced to 4 Vasu.-Through angor the propor condeck ru not attended to please go to your resting place Sudamy Lord commands. What A cowor llis Worship is God himsell who covered the three worki, with his three steps. You should 89 Lim for protection. Woul I go. Oh ! loro con fem.Q10. chuaracter, with its auto (multial helst. With it thin, soft and tonitor body anil(o) of pain of Ilu hand, the only death for the parently 14 Sod. I am favoured. Varu.I am glad your honour has come at the time of sotion. 'Sud. How now! Time of action! May my Order. monntains (or make them exchange their places to agitate all round the whole ocean, the resting place of crocodiles, or knock down on the easts the dela family of stars. Nothing is impossible for me, my Lord, on accoont of your favour. (44) Vard.—Oh Sadarsbana, here, please. Now them. you Suyodhana. Whether you go to the saline waters or the deat ita velocity obtained by the strength of my side oh nimble one, the all devouring whool of death los you today. (46) ins again), may my Lord be pleased. condition, your pams, indeo, will be useless. (46) the low, the best of Illa divino veapons.

·derit in vor, itinapy inonni Italia yor! (Van lika. Ing rebran lori greet turipit 1 1.. Pane hajansı, in kot polo *1. Licslette tour of the drint. 1. A Haaralakih firmier in prince the bar Sikhe nyotlar**, Art of ( 15 ) remier Its back is set with mold. Therefore, 210g Krishas it meeman lik m breuufal fasl of lightning in the vicinity of fred closd (47) Oh Ibow ! The disao Sangins has hungo apprstel....Oh hero arrites Kaurasdak-the more Of. nriegatal colour on acrount of gold jewels, with its apper gurment in the form of e marrod gurlund of lower, thirety for the dr** Fun. Con of ibn boling of the earmin of gris, ut him tim form of the alope of the bral of mountains and be Absedant power that can never bon rrunted Bring rapidly in the sky with more of ctorude for iu followini. (49) (The Coach Panchajanya " ! White like the full moon, Knude power, tim freterior of a wbits louis or gratiner klere, lavori y the lotus mouth of Narayana, slin peruot of which a like the noise of the ornant at the uma of Asluge, hearicg which the footases of the wree of Artterie la down (at once). (49) in is the word Nordala) of womaaial form (at) excut the four ella its 0 tere erreilent weapon ollliniteloos The word, bere, - 11. 1 nanti lezling at the orl ofite 2.4-royait sur 151 Liscalche of the enemin ol fruto titre merk Big bace Marke po pol of the rules 0 ·។ 1 1- deMORE the god of gods has his anger curbed. You mis Here have come stand) 1o the sky Kinran Yakshas, Siddhas and gods, the crowns on whose heads are shaking through flurry. They have bem come pale (the quality of radiance has gone 5 now) hearing that he 19 appeased, they, mth the on scoount of hearing that Krishna W83 angry, (ual Arrow gone, (free from grief) are resorting to the Well then, I shall also go to the charming den Vusa-I may, bow, go to the camp of Pandar ( 16 ) Oh you Bow, Mace, Corch and demon-destraga enemy-firo Sword, the rage of God Vishna, the enems of Múra, is calmed. Please, therefore, so hence to your own places. (62) Ob ! The wind is blowing very hard and the sur is shining very bot. Mountains are shaking; see are agitated ; trees are aprooted; cloads are repolyam and lords of serpents, Warnki sad the rest, are type moody. What, indeed, may it be? Oh, here come Garuda, the excellent conveyance of the divine Being By whom was taken by force from the entry - nenter the Oh dear son of Kashyapa, Garads the Lord om please go to your own resting place. Oh, he is gone ; I shall go. homes. (64) the Verh. (Exit) 1 myself. (Behind the curtain.) No please, do not go!

·plense, got op. ( 17 ) Varu. Ob! This appears to be the voice of ebe old king. Ob king, here I stop. (Then enter Dentarashtra) Where, indeed, is the dirin. Narayana ? Where the well-doer of Pandavas ? Where venly, as His Nonbip the son of Devaki? On account of the fault of my son, Oh you with Sharnge in your hand, here on your feet, now, falla y hond, Oh Lord of gods. (55) (Falls.) Vart.-Oh, fio! Il Fogous has fallen. Get up, Dhril-Oh, it is a great favour My Lorel, accept thu water for your feet and thero materials of wor- Vax.--I noept all. What further good shall do unto you? Dhrit-It God in pleased with me, what more ball I wish? Vara-Yoar Ilonoar may (then) go for further Twit. Dhill.Ar the divine Narayana commande (Exit) Epiloguo ; Bharata-Vakyam. Nay our king (brare) like a lion rule on 11 arth, honodod by docens, with the limelayu the Vindhyu for the our ornarnenta and maked ono (sovereign) arabrelle. (OG) (Espant omdes). hop.

·lud 6 round with foam (on it.) Tbeso birds by Act. Y. (Then enter Sita and a Pemale Ascetic.) 1 Sita-Revered lady, the hermitage scattered over clean. The usual worship at the deities (1.50) List been performed by me) with the inateriala (obtair! able) within the precincts of the bermitage. Nov. As long as my noble lord does not come, I all on rish (show sympathy to) these young trees by giving father and myself and making complete prepuntos Leaving that charming city of Arodbys, pondo for my coronation, Baarata camo to me; bal tout store of virtues was sent back to that very place le the purpose of protection of the kingdom) Ol* hard lot! The Tery heavy yoke of the Ling Lo alone (Reflecting.) Such, indeed, 18 this! Now I just see the princess of Mithila, my wife (follor me faithfully, even in thug (bad) condition, for recor ing the grief of this type. But where, indtil der the princess of Yidehs gone? (Turning rond od Heding.) Ah! These roots of trees, recently priet led, do, indeed, indicate that Maithili has cot guer The water utcated in the basins of tree is ( 18 ) Pratima-play composed by Bhas TRANSLATION with flowers of worship (offered yesterday) is super! them water. Fem. Asce.--Let there be no obstacle to its (Then enter Rsma.) Rama. With grief.) bears (now). 1 For, far may ·befort.) Tho strokes of the Arrow of sorrow bavio * Verotony of my revered father. The mus rikh to site of the offering (to be performed in Afwen! 1 ( 19 ) looming down being thirsty are not (ret) drinking water as it is dirty. Their holey being filled with mater, these insects getting drenched aro londing towards the (dry) ld. The trees baye Dew circies thair bottoms on sodat of the ligo of water being cobkumed. (2) (Observing) Aki Hart 1 Vailetu. On, Alas! That bead of hors which could be tired even by (holding) < mirror is not (now) felipped wbilo sbo carrying jar; alus! s forest readers the traderauss of ladies bard along with creeper (3) (Approaching.) Maithili, does your pensace thriro? Sita_014, tay noble ford! Victory to my lord. Rama-aithili, if it will not be sa obstacle to your absorbe, please rít down. Sitz-As my kosband commands (Site) Rama-1 ato you as if you want to ask mogass- TO What it may be ? Sha The orpression or the ince of nog lord is bymething like that of one kont heart u vacant on Account of gtis What is this ? RumAuthili, rightly, in dood, have you show My baby being track by tho arrow bout look, sho Hound of my heart is just the same, indeed (or 14 merous beads (or pointa) [a!) egalig now fais on ano and the same place. (1) Site-What may be the engnials of say loril? Rama-Tomorrow is the angivetsary Sunitha your arxiety.

·way. How shall I perform it--this is being cocco They will be satisfied, indeed, with whatever offer) because they thenselves know this my come tion. I wish to perform the worship (ceremonyt however, in s style worthy of father and Rams (5) Sita-Lord, Bharata will perform the Sarden in a rich style; my lord also, with fruits and estar according to the condition. It will be highly e Seeing the fruits arranged with my own hands on the sacred grass, father, being reminded of for (Then enter Ravana in the disguise of a wandes I go, with my soul Uncontrolled, haring Ass this forts, with the object of carrying as the daughter of king Janaka, like the stream of tools after having deceived the self-controlled descendeel ton (offered) without proper accent and fillabla of Ragha (Rama) enemity with whom is forme This is the gate of the site of Rama's hermita the conduct of a guest as well. 1. A guest, I shall just Alight. (Alights.) Let me, now, follor RAVADA -y form is very well marked by ! ( 20 ) dered. Or rather, teemed by father. Rama-Maithili, forest residence, will weep'eren there. (6) jog mendicant.) Rarang-Oh, hers account of the killing of Khera. (7) (Turning round and looking down.) (19) here, ho? Rama--(Ilearing.) Welcome to the guest. . voice, indeed.

·Rame-Tols sir, here 13 3 rest, pleano sit. Mie, of whom you are reported to be the husband belong to the Kashyap family. I have stodied the Veda with all its members and sub-members, as also Revan-Ilaving passed over all the sciences you have duplayed a desire with regards Shradha-ritual. the religivas digert of law of Mann, the Yogs philo- ( 21 ) Ramadh, the reverend ! Irtered air, I bow Renn-Hail. Rarana-To himsell or now, I am us if ordered by him! (Alond) yes. (Site) Rama-Maithili, bring rules for his worship to w his fret with....serte hur holidats Revine--Being agitated at the exposure of his defier) Well, well. For, she alone, on earth, us Arundhat among ao (consequently, honoured by woman (8; Rame-Then bring it I mysell will wait tapon 1. put down. Ravana ---Ob, baviog avoided the shadox I shall Pot transgress bods. Pieaning with words, indeed, 13. fest's reception. I am prorshipped. Please Rama--Yery well. (Sita down.) Rarana--(To himself.) Now, I too, will adopt the waual practice of * Brahmana (Alond) on, I sophy of Mabeshwara, the science of politics of the Shrulha by Prachetas. Rema-lit? What? What? 'The ritual of the Shraddha' did you say? ( Why as?

·Rama-your worship, at the time of performing (sure to be) rejected. I asked about the particule Rama--Poly sir, if offered with disregard, its Of things that grow, the saored gr889; of herbs, sessmnm ; of vegetables Kalaya (Marathi rut, leguminous seed); of Estar the largo Shaphara ; of birds, one with black rect and red head; of beasts a cow, a rhinoceroa or LAN Ram#Venerablo sir, from tho or I gue 1 Rama-Your holiness, thus itself is my rexlit, Both these are at my diapowal, if they can acon that: tho bow if the repanco 18 exhausted, and Revana-There are They dwell on the limelin mountains. On the seronth peat of the Ilimalar dest, by name 'Golden oder dnaking the water the Change falling directly from the head o! &n with backs dark-bla, luze lapis-laralı, imit te dr And the great **ges, rochu Vatan ValakLilyu, Maimubiya sad others perform Rama-Penerable sis, my father.being test, this is the (only) science (for me) now. Ratana--Enough of hesitation (avoidiog it) Tod may ask (freely about it.) Shraddha with what should I gratify the mazes? Ravana-All offered in faith constitutes Bluser ddbe. things. Ravana-Hear please are prescribed for men there is something else also Ravada-Thero is, to be obtained by poret. (I must get it) penance, if the bow wezhadstod. (fails.) (9) ;

·( 23 ) dha with theso standing (before them) and dying 1 8003 ** they are thought of Gratified with these the "manes get the frut of (begetting) song, and sering up old age (in their world go ghling, to the Leaten, indeed. They obtain a residence in gereal un Nong with goda and are not foreilly drawn atray by the whitlog object of renser, (outsing birth and ro-births). (10) Rama-Maithili Tako leto of the deer and troes—your adopted Sons--and of the Vindhya-forest and your dear friends, the croepers. I will drell in lbone forests of tho snowy-mountain, coloured with forests of berbe, fall of splendoor, us it were. (11) Ratan,--Oh son of Kaushalya, enough of this keer losire. They are not seen by men Rume—IIols air, do they live on the Himalayas ! Rea-eu. Rame--Then, indood, Your Honour will see, The Himalaya-mountain will either show tllore golden decr to mo or pierood with the force of my UTOMs will be reduced to the sondition of Anunca (12) Rarana-To Limgeln Ob, unbrarsble, inderil, by his daughtines Rama-Looking to the quarters) There arrears to be a fosh of lightning, "Ratanı-Son of Kenbalsa, Himalaya is honour ing yon llough slayuug bere. Blero w * Kauciens persbirs. Rama-This fool fortune au duo to got worxlip Site-I cougratulule my lord ·Here has the deer, passing with one jump begoat Rams being removed by the trick (of the sham deer) I will now) carry away the young Sita, fleA} alone, and weering from this penance grove, like 13 ohlation (to the fire offered) with no Mantras Yedie Sita-I ball in the meantime enter the bot ( 24 ) Rama-No, no. It is father's fortune it of his own second be bos come: He deserves to be worshipped. Tell Larmana, Maithili, Ito bring him.) (13) Sita — Jy lord, I say, you have asked Saamitrs to go forward to receive the patriarch returning - from his pilgrimage. Rama--Then I shall myself go, indeed. Sita-Yhat shall I do? Rama-Wait upon his worship (Ext Rama.) Ravana—Ah, here is Rams going to him with the materials of worship. Yow is Raghave stringias his bow, seeing the deer running away disregarding the worship. Oh the strength, oh the promess, ok the spirit, oh the speed! It is but proper that this world i pervaded by the two short syllables-Rama. (14) the reach of the arrow, entered the deep forest. Sita—(To herself.) Separated from my I am feeling afraid here. Ravana-To himself.) verse-recited. (16) husband, (Wished to go in.)

·Harry. Site-Sly noble Iord, FLVO me, halp, Saumitra, leathe himarlt, the lont of men now living in You lament: wint is this, oli yon of larga ! Tuon strength, thun (your) Nama is que trahle ght with me, even if he is accompanied by the ( 25 ) Revenu(Ansaming his real form ) Tarry, Site, Site Fearfally.) Ha, Who may this be now? Rerane-What Do you not know? By whom, in battle, were conquered the gods, Indra and others, together with hosts of demons, and who, seeing the defonination of Shorpanakha - hearing that his brothers were killed, hare cordo bere) with the desiro to carry you off, oh you of Piranded over, after having temptad away with ricks, Rama, who, throngh pride, has been rater. dining a wicked character and is progrested of im- Deaturello strength. I am (that) Narana. (16) Site-um! Narana indeed I (atarix ) Ranns-Ah, come within the range of Ratana's Tea, where can you 50 ? RAYADA-Sita, listen to my prowess please Inin ** wonied and the lord of wealth * made to asko: the moon was dragged and the man's son. I was crashed: oli, fie upon heaven occupied bis fcrrified gens; impued in this earth where sita Go for protection to Name or Imhohtoare or Aren; what is the turn of theme cryingi reirring ibaniking? Funn cannot overpusat i diger 135 *** **** you do your husband Pourmand of rotect. (17).... Lule) mullitado of foule 11.9) ·sky) was not burnt by the rays of the sun, mbart by these, her thensured syllables, Thon art etrend ing Sita forcibly with him ; let.Rama, if he buy Ah, here is Jatayu rushing towards me, wil his fierce beak. He has thrown into commotio the thickets of the forent by the violent wiod of of Yams, with your limbs wet with streams of Nood wings Ab, halt now. I shall send you to the bolt dropping from the wounds consod by your page Padataika. Madhukarika, O Madhukanla, ( 26 ) Sita-Angrily.) Thou srt carsed. Rarana-Ha, ha! Oh the fire of the chaste lly! 1, who, while I'fler up with Telocity (into the Ravana-(Taking Sita) Ob ascetics dwelling in Japasthana, hear, please bear, Your Honours Here is this ten-necked Ravara going away heroism. (21) Situ-Help, my noble lard, help! Ratana Observing while turning rouod) off with the sword drawn by hand 42) (Excent Both ) End of Act 8wapos Venvadatta The Violon of Vauvadatta Act Y TRANSLATION (The Eater 'mik..) - 14 Tere) quickly, please ·be dono. Highness, the king of the Veter, distraetod on (Entrring.) Madbakuriku-Hero I am, friend. What is to Padmi-Do you not know, dear, that Princeps Padmarati is enfrering from beocacbo? Madha --Oh, sorry! (Alas!) Padmi --Go quickly, dear. Call mulam Avantiku. Toll her only that the princess hus headacho. Then obo will come of her own coord. Medhe - What will ako do, 'friend? "Pedml-She will, varils, relievo her, now, of her Leadache by (entertaining her) with wont alorios Madht-Right. Whiero n the bed of the mineks pread? Padmi.-Her bed is spread in the 'sen-bonse tom FOR 50., 1, on my part, slund and out venernblo Vacantake so that he may inform his Highness Madhu-Let it bo so. (Exit) Padm.--Now, wlicro can reo Afr. Tarantaka ? Then onter Vida huts-tho Jester) Vidubake.-To-day, indeed on this Lappuest; #vwpicious ocorrion, the flame of the fre of cupid blare all the more, cheiag) fanued by hu warna Padmarati, the aes af fio) he bror of the ront of his vepiration from the queen (Vasasdetta). (Seeing Padmi) on, l'admi' (Well), I'admi. aut, what is the new here? redm-Yeaenoble Vantakudo you not nex What do Process Nadearnia w ruffontos from boed. ucbe !

·on the surface on the floor. Its form was indicsta am brooding over that worthy and praise worth daughter of the Kicg of Avanti, whose slender bode was consemed (taken away) by the fire at Lsyanak grace of beauty and endowed with virtues, my griet distressed with the former wound and having (oace! suffered the pain, I suppose the same (fate may fall Vide.--Here, indeed, is a serpent moring roand ( 29 ) Vla..Really, I never know, Padmi.-Woll thon, inform His Highness of In the meantime I, op my part, shall harry up to the ointments for hor hesd.... (Exount both.) (End of Interlude.) (Then enter tho King) The King--In course of tim. the burdes marriage (wife) has again come to me), (and still like a lotus plant strack by frost (1) (Entering) Vidu.--Quick, please, hurry up... The King. -Oh hard lot! Having obtained this beloved, furnished with the indeed, was sughtly abated to-day npon Padmavati also. (2) Well! Where is Padmavati Vida--All right. (Entering) Help! Stop, please stand, Your Honour. The King.-What is the matter? Baing (stur by the light of the lamp ·gono away. (29) The King.–(Entering and obserring, Staling?y) Oh, tho perception of the fool! You idiot, you mis take tho daogling garland of the frontal arch, long sad sight, falling on the ground, for a serpent. Tarning round at sight by the gentle breeze this garlaad wlighuy doos (imitates) tho movements of terpent (3) Vida-Observing) Yons Honour says rightly. This », really, not A snake (Eatoring and secing) Her Ladyship Padmarati mast have come bere and The King. She must not bave come, boy. Vida. How do you know? The King.-What is to bo Inown hero ? Mark, Tho bed is not pressod down, it is evenly, spread beforo ; its covering sheet is nor disordered . Tho pillow at the head is not crashed; nor is it roiled by mediciner to remove the headache No dooorations ans nado lo divert the right (of the patient) in sick. A person going to bed on account of sufferior does not leto it again 80 Roon of his own accord. (1) Video-Then you will sit down on this bed for a moment and wait for Iler Ladyahip. The King.--All right. (Sitting) Sleep in oppreen ing me, friend. Relate some story, Va --I shall relate. (Bat) Your Highna ohould respond by hum" There is a city nuued Ujjayini and there are very charraing mater-batha there, ibey my. The King - What I Vijayini, by Dana Vide-If you do not like the story, I shall tell ; another.

·u (30) Tho-King --Hot, that I'do not like it, indsed, old chap; bat (at this). I. remember with regret the daughter of the King of Avanti; (how) at the time of departuro she to membered hør own kinsmen and shed, through love on this very bosoma of mine, tears flowing and cling ing to the corners of her eyes. (5) Moreover. Often, during her lessoas, with her eyes fixed od me, she would fumble in the air with her hand from which the quill had dropped down. (6) Vida.--Well! I shall tell another. Thert is a town named Brahmadatta and there reigned a king named Kampilya, they say. The King.--What! What sayeth thee? Vidashaka-Repeats the same. Tho King.–Fool! Say King Brahmadatta and the tom Keuplya... Vida.—Then please wait a moment so that I shall commit it to monrory. .... Now, hear please. On His Highness is asloop. Very cold, this time. I shall go and come back with my cloak. (Ezit.) (Then enter Vasayadatta in the garb of sp Ariotilady and a maid). The maid.--Como, madam, please come. Verily the princess is suffering from a very severe headache. Therr lend the way cruel, indeed, are the gode to to. This Padmavati, also, 'who way a source of congolation to my noble lord, anxious on account of bereavement, bas become unwell, indeed Well, let me go in. (Entering and .05, ·therefore, sit on her bed. (Suttung) Why is it that Slied? I am glad her breathing is continuous sonal and easy. She must have been relieved of dinding) one side only of the bed, she indicates that I could embrace her. I shall lie down. (Gosti The King.Tks in dreamy) O Tes&yadatta ! Yur-Rising suddenlyJ Ham! My noble lord, 1 Ped.indeed. What! An I sen? Tbo graut ronnabits, indeed, of the yok of the noblo Yougeu. fertas is turned futilo by my sight The King - tho priates of Avati! dream only. Noge is Lere. YarryHappily my noblo lord in speaking in hoat I shall pletee my night and heart The King my darling! O charming popul! Vanampeaking, hasband, I am speaking The King.What? Ar you Angry Vasaro, Dot in the least. Am griefed. The King-Il pot oanged, Why ir sotu dot Vauv.What can be better than th> The King What? You real Angniy). O, goto! (31) baking panad) on the cardlessons of tbe strriats! They have left Padmaavati slone with just a leght for bet esamasson (eren) when sho is anots. Ulero es Primera fast Asleep. I shall sit down. Or if ! make another test, my lovo will appear small Lahall While sitting Dear her today, my heart 15, 2* it were, sichnen. Or rather, on vocoont of occupying culates lying down.) Staying here for smo. ire mes reply mc ·If this be verily a dream, blessed is not wikide ber inoo with tho ya Yond of collyrium and with (32) The King.Then I beg Your Ladysbip's pardos for Virachita. (Stretches his hands ) Vasar. Tarried too long. Some ope might see me. So I mast be off rather placing co the best the hand of my noble lord, hanging down from the bed, I shall go. (Exit doing accordingly.) The Klag.(saddenly rising) stop, Pasafadalle stop. Ob fie! Rushing out in flurry I am struck by the file of the door. Now I do not know clearly whether my desire is a reality. (What I saw was real or LOL (Entering.) Vida-Ah! Your Honour in up. The King.–Friend, I shall tell something pleasing Vasarsdatta is surely alive. Vida--Also Yasayadatts! Where is Vagspadstta Loog dead, indeed, 4 Vasavadatta. The Klag:--No, chap, not so. While sleeping on my bed, she woke me ep friend, and went away. Telling mo formerly the she was burnt Ramanvan deceived me. (8) Vida. -Oh, x it not impossible ? Ever since mentioned water-bath you have been thinking Hler Layahip and (80) you must have seen her is dream. The King.—Yes, a dream was seen by me.. ор II, however, this were an illusion, let them ulunon bo for over for mo. (9) Vide-0 friend, there liyer in this town of a lui named Aragtigundan. Sho must bave been sed you. The King -No, no At the end of the dream, whilo waking up: by

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·DUTA-VAKYAM
NOTIS
Ono-act-play of Bh414.
P. 1. The play is called and be
man is sent by Pandavas as an envoy
gaya and his speech is described in it.
argument of an is the chier incidenta
play. दूतम्य याग्यमधिकृत्य कृतं नाटकमिनि । दूतस्य
aft fald i It is a variety known as for
rn and an are other examp
ध्यायोग । नाम्नीनन्दयनीति नन्दः। भम् । भन्न पय मा
অন্তু। ননী। it is from নল or joy
which gives joy; it was the chief alcmer
preliminary performance attir, consisting
songs in praise of deities, accompanied by
trumental music donc behind the scenes
curtains by the part, or all actors in sede
remove obstacles. TTTTTIT: offre
work, arra cime to mean invocator
dictory stanza or stanz35. This
play is very old.
TT. afrit just after the worl
performance, tot afri
FRUITT: IT fift the slike
holds tha threat of the pilt inn
chief actor wtin MAAJKE
slike, the arrinirndent of
י -
F
ty

·called पुगलिया। and अदिति । पानन्दतुः (च)न्द्र उपगतः उपेन्द्रः वामनः इन्दानुजः। तस्य म पादासनवः वाम्राः(कमं०) वनस्वाः यस्य (बहु०) This shows that he is very young पेन नमुचिःअसुरः भ्याविटा प. पुष्माम् पाया रहा । उपेन्द्रः-यामन:- to humble the demon पलि इन्द्र and वामन are brothers because both of them are born of करयप Indra promised to do so and was released. He, (35) Daily he held the stange of puppets in the show 1.1. सर्वलोकोत्मयः-सपी लोकाना (कर्म) उत्सवः the Eith incarnation of Vishnu bom as a dwarf नमुचिः- म मुंपति-A dernon killed by: Indra. He captured Indra who faught myth Te and offered to let him go provided he promised not to kill him by day or night, with wet or dry. then, cut off his head a twilight and with foam of water. In the verse before as he is represented to have been pierced or throun away by 41*** with his foot in the sky and then he was beheaded by Indra अनुष्टुभ् वृत्तम् । भार्याश्च ते मिरर * honorific terms meaning respectable and worthy persons (ef मंडनमिभ, मार्य चाणक्य) कर्तध्यमाचरण कार्यमकर्तव्यमनाचरम् । निष्ठति प्रहताचार सपा पार्य इति स्मृतः ।। वृतेन हि भवत्यार्यों न धनेन न विषया। अये विषार, कोपे, 'पारचर्य वा showing grief, surprise or anger as it is an obstacle in his request.

·ne majmohanian ( 36 ) नुस Bhasa is very fond of th नु पृपयायो विकल्पे पाकिं पृच्छापाम् । खनु संसारे जिज्ञासायाम् ! Why indeed. WE may it be. . + मपि पिसारने व्यगे (सात) भावे सप्तमी- lutc. पस्य च भावेन भाष लक्षणम्। राम्दाइक something like a word which is not so cannot be recognised. मंग-पूनासम्बोधनयोः used as a vocati- नेपथ्ये Bchind the curtain. कुशीलप नेपध्यमुध्यते । नेपय स्थानमनिका रंगभूमिः मेतुः पध्यम् | The inng room, the greer mcans colours to be used by acto costume, dress and from this the dress v. 2. धार्तराष्ट्राणां पापा सह विरोधे (Loca.abso.) दुर्योधनस्य आशया (१० स०) शाला (मभ्यमपदलोपी स०) रषयति । धृतरामद पुमांसः पिण् । Sons of धृ० उत्प: p. p. p. V. Fe gaverns the instrumental case "दुष्टुभूपृतम्। HRTEAT is another reading in That in which the subje ५ -- ..

·P.2 mitram ngh Shara on.
thin term, marria 1. Auntant in
thor amrrartment in All Brahman tourt
Instandendrurint qualitim
17mmitritm
Internला सामना ।
सादी चिन । पापांचाल
hin sfat भिगा Rs. I wr.
Irrior wrtuमाप मा changed to
werinari andar पिण्या मामले
TINTA IKT Imporaine third person
Teral, pastire of
५३ मी-नांग मामध्ये पर्वगर सराय र
गोमनायाम मि से पहन
मिनी पर नाम पर त०।
पामा मनी पत्रचामरवरी पार पहु।
पिन चंगगग पेन .गाय ग १० अंग रम्य
भनन Fragrant unruent or cosmetic.
भीभनि भाप ग श्रीमान । मनुपू । विभूषणाना मरायः
पा गुलय ०० । नाभिजितानि न. का।
वि-
निगानि पाय पानसमा मध्य प... A star
in general or the well-known twenty seven cons.
tions, परिवनी, भरणी etc. पिन: should be taken
Grderstood. पर्यं गतारित पूर्णिमा मामः शरा
irg. I दुप सौमम् A silk garment. उपमा
+

·( 38 ) निर्दिष्टमनतिकम्य यया स्यात्त या पयानिर्दिष्टम् अव्ययी। V. 4. मे (संयंच मामान्य पठी हदयं इमरणोत्म सहसा प्राप्तं विचिन्त्य उधृतः रोप. येन गा. इव (उत्प्रेक्षा) हर्षेण सहितं पहु० भवति । उन्+घू+क्त p. p. p. सहमा अव्ययम् । वि+चिन्न् + ल्यप् य absolutive. My heart gives op anger regarding my enemies and be comes full of joy, because the emotion of anger s overpowered by the emotion of joy.' As a matter of fact he is angry, agitated and glad, Jelighted as well. But it simply appeared to be so. पाण्डवानां वले सैन्ये (प.न) वराणां वारणानां (पन्त) म्जाना मुखानि उत्कृत्ताः (उत् + कृत्-कन्तति p. p.) दन्ताः सलाः इव कर्म० ] दन्तमुसला. येषु बहु कर्तुमिच्छामि । Vly desire will be fulfilled now and so I am glad. सन्ततिलका। अवरोधनम् Harem शुद्धान्तः-अन्तःपुरम् । P. 3. अक्षौहिणी-उहः समूहः अस्य अस्तीति उहिनी । प्रज्ञापां रथानां अदिनी | A large army consisting of 11870 chariots, as many elephants, 65610 horsenen and 109350 foot soldiers, एकाधिकाः दश एकादश हु. । सेनायाः पतिः Commander of the army. केमाहतुः भवन्तौ. As if heard what they sard. This s called श्राकाशभाषितम्-किं ब्रवीप्येवमित्यादि विना पात्रं योति यत् । श्रुत्वेवानुक्कमप्येकम्तत् स्यादाकाशभापिनम् । learing a voice in the sky. सहशम् योग्यम् Right.

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·( 40 ) इति प्रोक्ताः ताः अयनं यस्य. श्रीकृष्णः the incarnation or Vishnu. ça is deified and so gutta was enraged as he hated him. मा तावत् भूहि इत्यम् । किं किं द्विक्तिः कोपात् । दामोदर दाम उदरे यस्य निबद्ध माया! Who was tied down by his mother on his stomach with a rope to prevent him from stealing. * king of yc, son of 34 and maternal uncle of nu. He learned from heavenly voice that the eighth child of देवकी, married to वसुदेव, would kill him and so he imprisoned them and killed all his children. But Krishna and Balarama, her children, were saved by divine favour and he was killed by T. He is identified with A, a demon. Hy was reared up by a who had a number of cows and used to take the cows to the field and guard them. So he is called गोपालः । गाः पालयति इति । क is added to show disregard. Hint: TUR 94 HFIT I Name of अरामन्ध, king of मगध and पेदि countries. कम was his son-in-law So he became anenemy of it, who killed him, and attacked Fryti eighteen times. He was killed by भीम with the help of श्रीकृष्ण | पाईदयेन अपहमा विषया देशः कीर्तिः मोगरय यस्य सःपा This shows that the envoy is a coward He ran away at the attack of जरामध. पार्थिवस्य आमनम्

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·(42)
दएपः, दण्डनीयः, दण्डयितव्य. poten. p. p. अममचाः नत्र
स. careful. प्रकर्षण मत्ताः प्रादिस। मद्+s.p.g
(mad from मद्.)
अमान्य स्खनु परनु सदिक्ष स्वगतं मतम् । सर्वश्राव्य
प्रकाशं स्यात् । प्रात्मगन or स्वगतं -To himsell, what
is not be heard by others on the stage. प्रकाश
Aloud, to be heard by all.
P. 6. हन्त हर्षेऽनुकंपायर्या पाक्यारंभविषादयोः । Here
हन्त means "oh joy". यादरायण is the name of the
chamberlain. ननु संभ्रमे why, showing Aurry. चित्रस्य
पटः चित्रपटः प० त. द्रोप.शाश अम्बरं च केशांवराणि
द्व द्रौपद्याः केशाम्बराणि ५० त० तेषां अयकर्पणम् प० त.
केशवस्य-रोपे पाठी In honour of केराव । दर्शनीयः, दृश्यः,
दृष्टव्यः poten. p. p. IVorth seeing. केशानां हस्तः-पाश:-
पक्षः = कचकलाप: mass of hair. गृहीतवान p. act. p. of
मह to seize.
v. 7. दुःशासनेन परामृष्टा गृहीता मन्ध्रमेण उल्ले
तृत लोचने यस्याः बहु. राहोः वक्त्रं तस्य अन्तरं तद्
गता द्वि० त० फुल्लं p. p. p. of फल-विकसितं Expan.
ded. दुष्टः आत्मा यस्य दुरात्मा । सर्व० सर्वे राजानः
सर्वराजाः कर्मः तेषां समक्ष प. adverb अक्षणोः समं समलम्
अव्ययीभावः अतित् as changed to अक्ष after प्रति, पर,
सम् and अनु० आमर्पः कोपः । तुलयति उत्थापयति or
पालोचयति. Shakes तोलयति or तोलति. तुलयति nominal
verb from gal or form of a measure in his mind

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·L ( 44 ) निरिंशः सङ्गः। धर्मन = shield. दष्ट p.p.p.of दर्श-दशति- मालिनीवृत्तम्। V. 11. अहमेव नीच: भवामि । कथं वा विपरीना मति- यस्य पहु० (वि+परि+s to go+p. p.. p.) अब नया अनयश्च नयानयोद तो जानीतः or तयोः शो उप or पन नयः नन . रोपं परित्यजतम् । द्यूतं अधिकारः निमित्तं यस्मिन यस्य वा बहु तं अवमानं न मृप्यमाणाः (pre. part. Atm- मुकम्म+शान-पान मान is the termi.) पुरुषा- सत्वेन पराक्रमेण अधिकाः तु. देषु वचनीयः निन्यः पराक्रम- येषां बहु० ते स्युः। If you do not endure this insult caused by gambling, you will be censured. बसन्न- तिलकं वृत्तम्। V. 12. अक्षान-स्वस्य कीयां द्विपता (pre. part. 'oE द्विष) मुदं संकोचयन्निव स्वैरं (स्वच्छन्द) (not caring for elders.) आसनं यस्य रुदन्ती (grammatically wrong. - cannot be inserted in the pre. part. of रुद्. should be रुदतीम् ) | द्रुपदराजमुता कुत्सितं अक्ष का तेन परयति तेन नयस्य ज्ञः स गां लिखति अपि । काक्ष is the swicked corner of the eye and the wicked die of the play. अक्ष means an organ of sense and so the eye is changed to का. कर्म वसन्तः । P 8. लम्जायमानी pre. partof. लग्जायते-a verbfrom the noun लज्जा. पटस्य अन्तःतेन अन्तर्हितं (अन्तर+ था+क्त p. P.) मुखं पयोः वर्णस्य प्राध्यता (आ+ध्यै+क- आन्य तस्य भावः बाध्यता nchness). मावेन उपपन्नता. युक्त लेख यस्मिन् तस्य भावः

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·(46) द्विरुक्ति संभ्रम. Bhasa is very fond of repetition Hi governs the instra, in the sense of enough पाश्रावितः p. p. p. of the causal of with आ. श्राशन Inomi: sing. of आतात. Remember it is I who have ordered. P.io. V. 17. आसीनः pre. part. of आस् to sit समाहितः--with an attentive mind, firmly. यही माय यस्व बहु .' V. 18. बालिशस्य भावः तस्मात् मौख्यात् हेतौ पं. नष्ट घृणा जुगुप्सा यस्य. उपजाति वृत्तम् । V. 19. धर्मात्मजः--त्रिदशः God च बसौ इन्दश्च तस्य सूनुः अश्विनी Physicians of gods. उपजाति: mark the bitter sarcasm or taunt in this verse. The conver: sation between श्रीकृष्ण and दुर्योधन is full of this bitter gibe. P. 11. pari: gar: Bhasa is very fond of add. ressing men from their mother's side. गान्धारी, the mother of दु०, was the.daughter of सुमल, king of कन्दहार. ....V. 20.. धर्म्य धर्मात् अनपेतम्, दायः कुलधनं तदेव आद्यखा Property. V.21 9964: Paternal'uncle, org: He killed किंदम, a sage who, in the form of a deer, was enjoy. ing a female deer and so he was in turn cursed that he would die if he embraced his wife. दारेषु निस्पृहः. 4.

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·demons hilled by a In incognito residence ( 48 ) सान[ ankled to प-- with a changed to पना (albro. पमाण)]ता पार गौरा गर्न मामल. माणिराम कारप पायापामिन शी भाग mraty. to शौर्य गाय मार कायम मारे, नपं गजनीति नपानुगामिनः . परमान गतः v.20. गुणाः शरे येभ्यः गणेतराः । अयान nom. ring. of मेयम् compara. of प्रशम्प. TH is declared in dual only and Thu in sing and plural only. V. 30. पिटरय पं. पिटp. p. p. of fr to grind. Repetition of the same thing V.31. HITTT: pre. part. of the caosal of प्रसन्साम्ना Instr. of माम. The other measures are दान, भेद: and Tr:-युवम् । P. 14. V. 32. किरातत्य व्यापम्य इकैरात भएमा सन्तोषिक: p. p. p. of cav. of तु. Indra fought with God Shiva, assuming a hunter's form, on the Himalayas and fore being pleased gave him पाशुपत missile. स्वाएरष torest in कुरुपत्र sacred to इन्द was burnt by Fire-god with the help of अर्जुन and the latter got गाण्डीय bow and iner: haustible arrows from him. देवस्य इन्द्रस्य प्राति greinfifat 390 Troubling Indra. Aardaret. were in विराट country or मत्स्य (Baurat 40 miles from Jaipur to the west of Dholpur.) **'a saved the cows which were being taken away trom

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·(50) will not give crona birricol gree; on this game crys: We do not want a blade of grass but half of the kingdom,catching ham in hisowd words, makinza pun on the wordto;in titis case we may dipun thus : Typ T **** MR : **; and then anat gives it the above meaning M.M. Ganapati Shastri takes both these expresa sions in the sense given first above. Tom अभिभाप्यरय फर्म अभिभापितु योग्यः अभिभायः poten. p. p. V. 36 ( i storfor sport of the trip अवघ्या. यष्य and पाय poten p. p. of इन्) प्रमहां Tarci (who was sent to kill it when an infant but was herself killed by hım) i TTI (RT demon assuming the form of a horse) गौरचासौ वृपश्च (अरिष्टदानव assuming the form of a bull) HITTE art and other wrestlers born of an outcast for by a frn woman). These were sent by कम to kill श्रीकृष्ण नास्ति लम्जा यस्य स निर्लज्जः सुतरां or सुष्टु निलंग्ज: extremely shameless. नवी हन्तव्या. A woman, an ox and a horse should not be killed and you have killed them; you killed poor wrestlers also. But xilast was right in killing them as they had come to kill him., आततायिनमायान्तं हन्यादेवाविचारयन् is written in धर्मशाला P. 15. पशूनां खुरैः उद्धतन रेणुना रूपितं अंग यस्य. उत् + हन् + क्त p. p. p raised up, रूप-रूपति + क्त में

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·(52" मालिनी. पराक मु यम् With his face turned away पराक् nomi. sing. of पग (परा++रिपू). मविलु कामः (or मन:, these two alone can be compount ded with an infinitive and His dropped.) YA. मप्रति to bind. V. 40. देवानां मापा :५०१०.दुस्येन निवारयितुं शक्य : (दुर+नि++यस्.) अस्त्र is that which rrorks on account of the power given to it by a divine or verse pronounced by the user. मालिनी वृत्तम् । P. 17. मक-मायाविन् । V. 41. मम कामुकं सस्य उदर वाणानां जालानि. मत्कार विनिसृतानि या-नि कर्म से: कर्मणे प्रमवतीति कामुक धनु. विद्ध p. p. p. of व्यय. ततात् जायते इति सतनं रक्त उप० क्षरत् तजं कम सेन रजितानि ४० सर्वगात्राणि यस्य. याप्पै नयने येपा. वसन्ततिलका। Uzia is the presiding deity of the disc of श्रीकृष्ण, In the same way all the presiding deites of his weapons come there. V.42. विपुल प्रसादः यस्यां. भगवत : वि-दां गिरं श्रुत्वा परि-प: निर्धा-स्मि। ऐश्वर्यस्य समप्रस्य धर्मस्य यरास: श्रियः । ज्ञानवैराग्ययोरचैव पएणां भग तीरणा | These sir constitute मग and one possessing them is a भगवान परित : वारितः प्रादिस० परि-त: तोयदानां ओप : येन. तोय ददातीति तोयदः, आयते अतिणो फर्मः कमले इव पायतातिणी यस्य. पसन्ततिलफम्..

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·(54) प्रया भुयनानां समाहारः त्रिमुरतं दिगु स०. अयः परणाfoot steps, कर्म तैः प्रतिक्रान्तः (p. p. p. of मम् ) विमुवनं येन. अब भवार सुर मुप् स. पूज्यः. यावद गच्छामि-मिस्यामि. यायत् changes the present into future. v. 47. तनु प मृदु प इदं तनुमृदु कर्म तनुमृद्ध घेई ललितं च कर्म त-अंग यस्य, खियाः स्वभाव. तेन उपपन्न, हरेः करेण घृतं मध्यं यस्य, शरण संघस्य एकः अद्वि- तीयः मुख्यः कालः फनकेन सचितं पृष्ठं यस्य, कृष्णस्य पाठे भाति यथा नवस्य सलिलदम्य पार्श्व विद्युत् लता इव कर्मक भाति. मालिनी। V. 48. मणिभिश्च कनकेन च (०) विशेषेण चित्रा तृ०(विचित्र प्रादि) चित्रा माला कर्म० उत्तरीयं यस्याः बहु० गिरीयां वरः प० त०॥ तस्य तरः ५० इय रूपं यस्याः उपमान बहु० अतिशयित वीर्य मादि० दुर्निवारं अतिवीर्य यस्याः बहु. मेपानां वृन्द प० स०अनुयात्रं यस्याः बहु० सुराणां रिपवः तेषां गणः तस्य गात्राणि तेषां धंसने प० न जाता तृष्णा यस्यां बहु० नमसि शीघ्रप्रति. मालिनी। V. 49. यस्य प्रलये सागराः सा तेषां घोपेण तुल्यात स्वनं निशम्य श्रुत्वा न सुराः असुरा तेषां अंगनानां स्त्रीणां गर्भाः निपवन्ति मा शंखः पूर्णः इन्दुश कुन्दपुष्पं च कुमुदस्य उदरं च मौक्तिकहारश्च द्वन्द्वर ते इन गौरः कर्म नारायण सावनं सरोजं व कर्मः सरसि जातं उप वेन वा ० प्रसादः अस्य स प्राप्तः वसन्ववियफ पृतम्।

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·हिमांश्च विन्ध्यरच दूं. कुएडले यस्याः तां, एक श्रातपत्र ( 56 ) defeated and according to the conditions of th wager, served फद्र as her slave. गरड brough down on from the heaven after a struggle with Indra to purchase her freedom, and formati wa set free, The had to fight with Vishnu also fo अमृत and afterwards agree to become his con veyance, Vide महाभारत आदिपर्व, द्विषतः इन्द्रान wit whom he fought. उपजातिः। v.54. एने उत्तम अंग फर्म मस्तक चलन्ति मकुटानि येपां बहु० चलन्मकुटानि उत्तमांगानि येषां ते किन्नराध यक्षा- सिद्धाश्च (देवयोनयः demi gods) 0 देवाः च विर्या स्थिताः in the active sense, कतरिक्त. अच्युते विष्ण कृष्णे रुप्दै सवि कान्तिश्वासौ गुणश्च कर्मः विगतः कान्तिगुण येषां ते निष्पभाः संजाताः किन्तु श्रीकृष्णं प्रशमितं श्रुत्वा निवृत्त तापः येभ्यः तादृशाः सन्तः सदनानि श्रयन्ति, सन्ततिलकात्तम् न खलु खलु निश्चये द्विरुतिः संभ्रमे । V.55. शाई पाणौ यस्य व्यधिकरण बहु० निशान अध्यक्षः ५० अधिगतः अतं इन्द्रियं व्यवहारं वा Lore पादार्थ जलं पाय-"पादयोः पाद्य समर्पयामि. किं ते उपहामि is technically called काव्य-संहार-उप संहार, the last but one division of निर्वहण, the fifth सन्धि, joint, in a play वरप्रदानसंप्राप्तिः काव्यसंहा- इप्यते । V.56. भरतवाक्यम्. मागरः पर्यन्तः यस्याः सात of gods.

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·. - . ( 58 ) समुदाचारः पूजा. मार्यस्य पुत्रः used for the husband by wives, यात्रत् तावत् as long as, यावत्तावच सामन्येऽवशे मानेऽवधारणे. Here is the sense of अवधि. बालाः धृताः फर्म तान्. उदकस्य प्रदानेन परत करणे तप अनु + कुश+ णिच् causal, future. Show compassion to. विघ्नस्य अभावः अविनम्-अव्ययीस०। V. 1. गुरुणा मया अपि च रहितो तार-ौं त्यक्त्वा ममा-लं इयम्य मत्स-त: गुणनिधिभरतः रक्षार्थ पुनः तनय चः सन् एकः सुमहती नृपतेधुरं समुत्कर्षवि इति भोः फष्टम. व्यक्त्वा, उद्यम्य absolutives रहिता, आगतः संप्रेषित: pp.p. मम सम्मिधिः प० त० रत्ताय इति रक्षार्थ नित्य० गुणानां निधिः १० त०. तत्रैव-अयोध्यायामव. समु. पति-धारयनि, शाल- विक्रीडितम्. Rama is feeling anxious for Bharata even after thirteen years. Mark the type of affection between brothers. Both are noble Exi-The task of government is troublcsome. इंशस्य शोफरय विनोदनाय नित्य अवस्थायां कुटुम्बिनी सनी स० मैथिलस्य अपत्यं श्री मैथिली-अप and हीर. Wife is a companion in all conditions, food or bad. विदस्यापत्यं बीपदही, अये चाचर्ये, प्रत्य भमि. पानि महमुग नि सा प्रतिगतं अमं यम्य पदुर र नरगता म. पृतस्य भावनें (busin at the bottom). v... प. फेजेन दिन पहभपस्थित गलिहा भगति । पितारप से पनिताः प गाने में गायन्तीति लगा र नष्ट गनिनं मन रिपन्नि । किन जमेन परिव १० ताति Ec. abro. आर्ग: श्रीमाः यति । पूजा एवं सतार + -- । --

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·(60) According to Ramayana T went to the forest on the 10th day of the bright half of चैत्र and दशरथ died in the midnight of the great. Puranas do not always agree. फल्पस्य विशेष: a special form of performing the rite. निवपनस्य क्रिया-श्राद्ध। V.5. येन केन प्रकारेण ते पितरः पुष्टिं गध्यन्ति । ते एवं दिन में दशां जानन्ति । तथापि तातस्य रामस्य च। रूपस्य योग्य अनुरूपं तस्य भावः अनुरूपं तेन सहिता सानुरूपा पूर्वा पार फर्तुमिच्छामि । उपजातिः । अवस्थायाः अनुरूपं प० त. फलानि च उदकं च एते समादारः फलोदकं तेन समाहार दन्तः । V.6. नः दर्भेषु स्यस्य हस्तेन रचितानि फलानि ध्या तानः वनवाम स्मारित (p. p.p. of the causal of स्मृतत्रापि स्वर्ग रोदिनि रोदिष्यति pres. for the future. v.7. न निपत. श्रामा येन मोई एतसं गृहीत्या नियन नूनं परराससम्य यथेन कृतं वैरं येन में रेपोः प्रपन्य पुर्मि गर्म (अण) ववयिया अन्ना हतुकाम यस्य मोई प्रयामि वगरम पदानिच ते. हीना (p. profe to abandon) * for url or what 1. A l'edic mantra without propter intonation and ill-uttered 18 non-effective, faut can also be taken to mein self restrained. पनियतामा unable to control my anger caused by the killing of me, my general

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·The present पाजयोगदान was written in the Second Century B.C.रविना प्रणात परिपत्र अप शाम अयस्य शानम्. The olkiest science of politics is trims of Chanakya of the 4th Century B.C. पाई• was known to Chanakya. Now not available- न्यायशाम of Gautama is the same as मयानियि': logic mentioned here. प्रचनमा प्रणीनं मादक प्रचेत means परुण. भुनी-पशन which were revealed. Here it meansa Shastra. अर्ज परिहत्य. अलं means enouzh. अनंम्पन्नीः- प्रतिपंधयोः प्रार्चा क्त्वा । अनादरवः-तसिल , in the sense of t. We must offer in faith and not without faith, but what should we offer. ओपः पाकः धीयते अस्यां इति औषधिः वाणिस. 1s a bird with a blue neck, red head, black legs and white wings mentioned in कालिकापुराण. प्रभारेष सम्पाद्यम् त० प्रष्टः भाषः प्रभावःप्रादि स०। V.9. उभय is used in sing. and plural alone. सन्निधेः मावः साग्निध्यं प्यत्र प्र० प्रान्त p. p. p. of अम्- माम्यति । अपणोः प्रति प्रत्यक्ष अव्य. सदस्यास्तीति प्रत्यक्षः अर्च प्र प्रत्यक्षः स्थाणुः शंकरः कर्म तस्य शिरमः पतित पर गंगायाः अम्बु तत्पातु शीलं येषां ते उपपद णिनि प्र. वैदूर्य इव श्याम पृष्ठ येषां से बहु० पवनेन समः तृ० त० इकः येषां ते।

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·( 64 ) V.12. मम पाए तम्य बेगेन. कोयम्य भावः और क्रौंच the son of मैनाक and grandson of हिर It was pierced vith an arrow by परशुराम. In same way you will be torn by me with my ac Rama threatens the ocean also later on in same way. Of course the presiding deity i be taken as in दूतवाक्य ।। • V. 13. दिष्टया वर्धते I congratulate my lord. स्वयं आगतः एतानि तातस्य माग्यनि. एए अति (पूजा) पूजायां विषये लक्ष्मणं भूहि. पूजार्या पैपयिकी सममी. Laxmana to worship this antelope and bring here. कुलपति is a sage who feeds and teaches thousand students gratis, मुनीनों दशसाहस्र योऽन्नदानादिपोषणात् । अध्यापयति विर्षिः सर्व कुलपतिः स्मृतः॥ अत्रि is the कुलपति referred to here, This deviation from रामायण. सोदा had sent him. सुमि= अपत्यं पुमान् सौमित्रिः-लक्ष्मणः अर्य. Ingredients worship. Vide notes on दूतवाक्य । V. 14. स्थाने युक्तम् Indeclineable. अक्षर vowels and consonants in राम, एकेन प्लुतेन अतिक शरस्य विषयः येन। V. 15. मायया By the trick of the deer. मन्त्रेय उक्ताम् not accompanied by मंत्र । हे विशाले नयने यर इति विशालनयने।

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·(66) king of vultures, son of स्पेनी. and भलए younger brother of Erfa. He was a great of 74 He fought with 44 and was by him! He was burnt by T at his own V:22. मम मुजेन पाट: निरिंशः (निर्गत:। भंगुलिभ्य: सर: प्रादि सतेन कृतः (pp.p. कन्वति to cut) : सस्य संतात च्युत गलितेः रुधिर पाई कि गाय यस्प यह त्वां यमस्य सदन ने मनुष्डम् वृत्तम् । SVAPNA VASAVADATTA Nories Act V This play contains six acts out of which fifth, containing the vision or dream in w उदयन saw पासपपत्ता, Is taken in our collect Padminika and Madhukarika are two m servants of पावती, the queen. हला-इलेनिस प्रेप्या हम्जे, रयाग्नुका तया हला is only a forre address between Ladies of equal status. प्रकृतिमी : कुमारी भावारिका. The princesy ist addressed by the subjects भावन्निका-यागर in the guise of a lady of Ujjain. TT -- 7577 थाहय call out, eculiar formation from the ne रावन kind of denorninative or nominal verb

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·(68) अग्निः देवानां दून: अंगं यष्टिरित्र कर्म हता अंगयष्टि : यस्याः तां, हिमेन हतां पद्मिनी इव चिन्नयामि. Whose slender body was taken away by fire वसन्ततिलका वृनम् । v. 2. पूर्व : अभिधान: (हन् + पत्र = धानः) कर्मक रुजा स६ वर्तते इति मरुक यदु पूर्वाभिपातेन सरुक् तृ० त० तस्य मम रूपस्य प्रिया तृ० समदितां (सम् + उन् +to go+ क्त p. p. p. endowed with) गुणत: गुणैः गुण + तसिल in the sense of तृतीया, प्रियां लब्ध्वा अद्य शोक मन्दः इव. अनुभूतं दुखं येन बहु. तारशः अहं पद्मावतीमपि तथै० वसन्तक वृत्तम्। दीपस्य प्रभावेण (प.)सूचितं (तृ.) रूपं यस्य बहु. or दीपस्य प्रभया अवसूचितं etc. प्रभाव power and conser quently light काकस्य उदरं इव उदरं यम्य काकोदरः सर्पः whose belly is black like a crow वैधयः मूर्खः । P3 ऋजुश्चासौ आयता च कर्मः मुखे (गृहस्य द्वारे) तोरणं म० तस्मिन् लोला (चला) माला कर्मः तितो भ्रष्ां (भ्रश् + क्त) त्वं सर्प अवगच्छसि. या निशि मन्देन अनिलेन परिवर्तमाना लुठन्ती rolling भुजगस्य विचेष्टिनानि किंचिन् ad: करोति. वसन्ततिलका वृत्तम् श्रागत्य-पागम्य abso. न श्रागतया• Impersonal construction, v 4. ज्ञेयं, ज्ञानीय or ज्ञातव्यम् poten p. p. तथा आस्तृता सुप् सुप् स० ममा च कम० व्याकुल पदः यस्याः बहु. शिरस: उपधामं pillow for दुपितं or क्लिशित... p. p. of कि 2 P

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·( 70 ) Panchala tribe. et is identified with the village Kampil on the Ganges between Badaun and Farrukhabad. प्रावारक ( with t and a to cover एल an upper garment, cloak or robe.): विरहेण or विरहात् पर्युत्सुका १० or पं0. Restless, विश्मस्य स्थान (१०) भूता सुप् सुप् सः स्वस्मिन् तिष्ठतीति स्वस्थां उप नस्वस्था अस्वस्था unveil. दीप. एव सहायो यस्या, सा वा बहु. With lamp as her only companion, leaving her alone. प्रल्हादितं p. p. p. of ल्हाद् thrilling With joy. . The poet has shown his deep insight into the emotions of the human heart. She does not know that cat is sleeping there and still her, heart thrills with pleasure. This is AI love. दिष्टया i am glad, fortunately न विच्छिमः ना सुखः (कर्म) अविच्छिन्नसुख, निवासी यस्याः यहु. Her breathing is continuous and happy, easy. fare: रोगः यस्याः बहु० निव्यम् भावेप्रयोग: Impersonal construction. एकः देशः कर्म० एकदेशः संविभागः यस्य तद् ए-- पहु० वस्य मावः ए- मागवा तया हेतुना on account of a part of the bed being vacant, left as if for me. She feels that the part is left so that I might lie down near her on it. योगंधरायण was the minister and he had asked a not to allow herself to be seen by the king until his purpose was fulfilled, and so she felt sorry for being seen by him. She loves her husband very much.

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·" (72) मा चिन्तयित्वा isgrammatically wrong. It shoule be मा चिन्तय। काञ्चुकीयःvide notes on दूतवाक्यम् . Anold Brahimin servant of the ladies' apartment. -। - जयतु आर्यपुत्रः In days of other poets कंचुकी does not address the 'king by ragat which always means conventionally the husband. Here he Uses this'term as he is the servant in the apartment of पद्मावती whose आर्यपुत्र उदयन is अमात्यः the commander-in chtel. भावणि the enemy of उदयन, हस्तिनश्व अवाश्च रयाश्च पदातयश्च हस्त्यश्च रयपदाति. This La denoting parts of the army must always be used in the singular number, neuter gender. So इ-तीनि is grammatically wrong. It be dissolved here thus हस्त्यश्वरथेन अनुगताः हस्यश्वरयानुगवाः पदातयः येषु सानि बहु with the term अनुगत understood, adj, to विजयस्य अगानि the four divisions of the army bring success समद्धानि are ready, P. P. of नह with सम्। V. 12. ने रिपर भिना (p. P. P. of मिद); भवतः गुणेषु रता (even when controlled by enemies) पुरे मयाः पौरा (अ) समाश्यामिनाः (p.p. p. of the causal of वस् with सम् and था); भवनाप्रयाणस्य समये या अपि पाणी सैन्य तस्याः विधान रतणं कृतम् , प्रोण प्रमायस्य जननं प० त० यत् या साधयितुं योग्य - ·रब: मैन्यौः त्रिभिः पथिभि मान्य चयन । "पा पर्य नत् सन् मया अनुष्ठितम । अनु - या + कन) कृतम प्राकामभूमि पान नमार्ग बन्न मन्दाकिनीगंगाभोगवती नाम्नी नदी भागीर की नगा , वरमदेशः तब इन स्वाधीन विस्था मध्यमापदलीपी मनीन 'पथगा उप. . र लविक्रीडितम् । V. 13. उपत्य (411- मा नागेन्द्रारच तुरगा ना ... ६० नन् ती मनधार यस्मिन् or देग मार्ग -- नागा कर्मः संप भंगा प० तर पाणा पमित पर व ) पाणी-गा यस्मिन भणीमि उलानि माम्न शमन नि अधि। माभागा অযয় কম ম্যবাৰ শ ৯ TA प्राभा याय पर (अपमानपूर्वपदपदमोदी मापदाला) for Endec mes to युधि-पुरे दार्ग मं: गम्मिन ' Tr संपारण नारावामि युथ }}i गथ् 10 rphy thy fry term is fomunine bruit 1)Julet 17. ure in the masculine gender निकषयः उपेन्द्रवमा पुनम् । विकी ( PU APTENOICES . A very short noir on Frosody, I'muxarly means the laun s rules regulang netrical composition of irrification. There this callrction 91 stries in all, S6 in Data, ·- ( 74 Vakyam, 22 in Pratima and 13 in Svapna. nataka, and the poet has used thirteen different metres in these ninety one verses. A verse 97 or stanza consists of four lines each of which is called a Fort quarter, AT is regulated by the number of syllables -single vowels with or without one or more consonants. This syllable may be a light and I a heavy according as its vowel is short or long. Even a short vowel followed by an अनुम्बार or विसर्ग or by a conjunct consonant, becomes in prosody. Students of High School Classes should be able to find out the metre of a particular verse be. fore them even if they are not able to scan it. We have given the name of the metre at the end of our notes on every verse The definitions of these metres are given below अनुष्टुभु also called लोक-लोके पष्ठं गुरु शेयं मर्वत्र लघुपंचमम् । द्विचतु पादयो स्वं मतम दीर्घमन्ययोः ।। 8 21. llables in every pada इन्द्रवमाः स्यादिन्द्रवमा यदि नौ जगी गः IItuxed with उपेन्द्रना--उपेन्द्रवमा जतजामतो गौ forms उपजानि । 11 syllables शालिनी-मात्ती गौ पछालिनी पदलोर। 11 syllables वंशस्थ (पंशन्थविल जती तु यंशस्थमुदीरितं जरी। 12syllables. - -

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·(76) ४ Important expressions in the play and acts. (1) आ मनुबाणामन्येर मम्भ्रमः । 2) राहुवस्त्रान्तरगता चन्द्रलेखेव शोभते । (3) अहो भावोपपन्नता। (4) को नाम लोके स्वयमात्मदोप मुघाटयनष्टघृणः सभामु। रान्यं नाम नृपात्मजैः सहृदयर्जित्वा रिपून भुज्यते तल्लोके न तु याच्यते न तु पुनर्दीनाय या दीयते ॥२४|| पुण्य सञ्चयसम्प्रातामधिगम्य नृप श्चियम् । पञ्चयेद्यः सुहद्धन्धून् स भवेद्विफलअमः ॥२५॥ देशकालावस्थापेक्षि खलु शीय नयानुगामिनाम् । कर्तव्यों भ्रातृषु स्नेही विस्मर्तव्या गुणेतरः । मम्बन्धो बन्धुभिः श्रेयॉल्लोकयोरुभयोरपि २६|| प्रतिमानाटकस्य पञ्चमाई कप्टं वनं स्वीजनसौकुमार्य, समं लताभिः कठिनीकरोति ॥३॥ सर्व श्रद्धया दत्तं श्राद्धम् । अहो बलमहो वीर्यमहो सत्वमही जवः । राम इत्यतररल्पः स्थाने व्याप्तमिदं जगत् ॥१४॥ न व्याघ्र मृगशिशवः अधर्पयन्ति ॥१८॥ स्वप्ननाटके पत्रमे प्राणी प्राय रजा पुनर्न शयनं शीघ्र स्वयं मुञ्चति ।।४।।

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·(76) B Important expressions in the play and acts. (1) प्रा मनुष्याणामस्त्येव सम्भ्रमः । (2) राहुवक्त्रान्तरगता चन्द्रलेखेव शोभते । (3) अहो भायोपपन्नता। (4) को नाम लोके स्वयमात्मदोप मुद्घाटयनरधुरणः सभासु । राज्यं नाम नृपात्मजैः सहृदयर्जित्वा रिपून भुज्यते तल्लोके न तु याच्यते न तु पुनःनाय का दीयते ॥२४॥ पुण्य सञ्चयसम्प्राप्तामधिगम्य नृप श्चियम् । चञ्चयेयः सुहृद्वन्धून् स भवेद्विपलश्रमः ॥२५॥ देशकालावस्थापति सतु शीयं नयानुगामिनाम् । कर्तव्यों भ्रातः स्नेहो विस्मतच्या गुणेतरः । सम्बन्धो बन्धुभिः श्रेयाँल्लोकयोरुभयोरपि ॥२६॥ प्रतिमानाटकस्य पञ्चमा कप्टं वनं स्त्रीजनसौकुमार्य, समं लताभिः कठिनीकरोति ॥३॥ सर्व श्रद्धया दत्तं श्राद्धम् । अहो पलमहो वीर्यमहो सत्वमहो जब। राम इत्यधरैरल्पः स्थाने व्याप्तमिदं जगत् ।।१४।। न ध्यान मृगशिशवः प्रधर्पयन्ति ।।१८|| स्यननाटके पश्चमे प्राणी प्राप्य राजा पुनर्न शयनं शीघ्र स्ययं मुद्यति ॥३१}

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