Bud. Nanjio 417.

Pāli. history of an image of the Buddha set up by the king of Kosala. Colombo pp. 50. 51. Colombo D. I. 2340. 2344. 2347.

a dvisandhāna kāvya on the life of Śāharāja. by Śeṣācalapati, son of Akkadevī and Veṅkaṭapati Amātya; styled ‘Āndhravāk-Pāṇini’ and honoured by King Sāhajī, Maratha Ruler of Tanjore. TD. 4233 (inc.). I. verse 8 and Col. calls the work Bhosalakosalendracarita. [Page098-b]

See V. Raghavan, Intro. to Śāhendravīlāsa, Tanjore Sar. Mah. Ser. 54, p. 24.

kāvya. in 21 cantos on the Cauhān rulers of Sambalpur District. by Gaṅgādharamiśra. Ms. in the library of the Mahārāja of Sonpur.

Ed. by Maharaja Sir B. M. Singh Deo.

See JBORS. XX. pp. 140-6 and Proceed. AIOC. VI. pp. 43-49.

Bud. Cordier II. p. 258.

Pkt. poet. ref. in Svayambhūchhandas, I. 24.

See also JBBRAS. XI. 1935, p. 25 and Jain Sāh. aur Itihās p. 385.

from Revāmāhātmya. BISM. vi. 77/25.

poet. mentioned in Somadeva's Yaśastilakacampū (K. M. 70, Vol. I. p. 459, verse 239).

See V. Raghavan, J. of the G. Jhā Res. Inst. I. iii. May 1944, p. 372.

ref. to in Mahāpurāṇa.

See Jain Sāh. aur Itihās p. 325 fn. 1.

a. of Pkt. grammar. ref. to by Mārkaṇḍeya in his Pkt. gr. Probably like Bharata, Kohala dealt with Pkt. in his Nāṭya Śāstra.

See also Pischel, Comp. Gr. of the Pkt. Languages (Eng. transl. Benares, 1957), p. 35.

ancient authority on Nāṭya Śāstra (dance, drama and music); mentioned in Nāṭya Śāstra (GOS. edn. I. 28.) as one of the hundred sons of Bharata and in the last ch. as a. of Uttaratantra [Page099-a] dealing with whatever has been left unsaid by Bharata.

See NCC. II. p. 412b.

Q. by several later writers, Mataṅga (Bṛhaddeśī), Dāmodara (Kuṭṭanīmata), Rājaśekhara, Abhinavagupta, Śāradātanaya and several other still later writers on music and dance.

From Abhinavagupta's C. on Nāṭya Śāstra it appears that he was the first to define the Uparūpakas. From a q. in Sarvānanda's C. Ṭīkāsarvasva on Amara (TSS. edn. I. p. 119), Kohala is seen to have dealt with Kathā and Ākhyāyikā also.

Several later texts, noted below, are associated with him singly or with other sages, Dattila, Mataṅga and Śārdūla. Perhaps his original work is lost, but he is remembered as the most important ancient writer after Bharata.

See V. Raghavan, J. of the Music Academy, Madras. III. p. 17; Sangeet Natak Akadami Bulletin 5, 1956, pp. 20-1, 23-4; Bhoja's Śṛṅgāra Prakāśa (1963), pp. 535-7, 540-1, 544-6, 550, 562, 567, 569, 576 fn., 577-9, 589, 615; also his ‘Uparūpakas and Nṛtyaprabandhas’, Sangeet Natak 2 and Samskrita Ranga Annual V. pp. 33-4; and ‘Music in ancient Indian drama’, Art and Letters, the J. of the Royal India, Pakistan, Ceylon Society, London XXVIII. i. 1954, pp. 10-18; J. of the Music Academy, Madras, XXV. 1954, p. 90; Sangeet Natak Akadami Bulletin 4, 1956, pp. 5, 6, 11, 12.

See also Proceed. AIOC. Patna, 1930, pp. 777-80, P. V. Kane, ‘Fragments from Kohala’.

--Abhinayaśāstra. MD. 12989 (with Telugu meaning). [Page099-b]

--Uttaratantra; a supplement to Bharata's Nāṭya Śāstra mentioned as Kohala's work towards the end of Nāṭya Śāstra (ch. XXXV. śl. 65, Kasi edn.) itself.

--Kohalamata. See below.

--Kohalarahasya. See below.

--Tālalakṣaṇa. IO. 1126 (with C.). 1127. MD. 12092-4 (with Telugu gloss).

--Dattilakohalīya. Burnell 60b. Tirupati 267.

--Bharataśāstra. TA. 1006/1.

--Saṅgītameru on music and dance. Kohala-Śārdūlasaṁvāda in Anuṣṭubh verses. Q. extensively on Karavartanās by Kallinātha on Saṅgītaratnākara, ch. 7.

From the q.s here this appears to be a late work but ascribed to Kohala.

Mysore I. p. 629.

music; in the form of a dialogue between Kohala and Mataṅga. TCD. 1221 (with some Malayalam explanations). Trav. Uni. C. 1724. T. 822 (with Malayalam explanations).

music. in the form of a dialogue between Kohala and Mataṅga on Rāgas appropriate in certain contexts. MT. 787 (adhyāya 13). Cf. previous.

a Vedic school mentioned in Taitt. Prāti. 17. 2.

See Bhagavad Datta, Vaidik Vāṅmaya kā Itihās I. p. 234.

--Harigītā. Mithilā.

śr. Kaukila(lī) is on of the two kinds of Sautrāmaṇī sacrifice, the other being Carakaº. See RASB. II. 748, Intro. remarks in the [Page100-a] text. See also Śrautakośa, Poona, I. (1958), pp. 698-716 (Taitt.), 718-25 (Maitr.), 727-31 (Kāṭhaka), 734-52 (Vāj.), 755 (Śāṅkh.).

Adyar I. p. 65a. II. App. p. ivb (p. 246b). Alph. List Beng. Govt. p. 30. Cs. I. 330. IL. 23. Lund XIII. PUL. I. p. 46.

śr. pr. by Nārāyaṇa, son of Govinda, following Karka's interpretation. PUL. I. p. 46.

śr. IO. 397. Ujjain I. p. 20. Wai 316.

--Ādhvaryava. BISM. Nasik Patawardhan 666.

--Āśval. L. 4246. RASB. II. 359.

--Baudh. Wai 316.

--Yājuṣa hautra. BISM. Nasik Patawardhan 837.

--Hiraṇyak. Wai 316.

--hautraprayoga. Ānandāśrama 157. SB. 60.

śr. Adyar. NP. IX. 2. X. 4. SB. 19. Ujjain II. p. 10 (inc.). Vaṅgīya Sup. 1784.

--from Āpast. śr. sū. Baroda 8847 (19th Praśna, Kaṇḍikas 5-10).

--Āpast. Ujjain I. p. 16.

--Baudh. AS. p. 51. Ben. 11. IL. 376. NP. VII. 10. Proceed. ASB. 1863, 137. Tb. 23.

--by Bhairava Dīkṣita. Baroda 563. PUL. I. p. 46. RASB. II. 748. SB. 92. Trav. Uni. 4862.

--by Moreśvara Dīkṣita. Kavīndrācārya 453 (1).

--by Vāsudeva Dīkṣita. Tb. 23.

śr. America 3360.

śr. Haug 31. [Page100-b]

śr. Alph. List Beng. Govt. p. 30. Ānandāśrama 155A.

--Kṛ. Yv. śr. SB. 92.

śr. pr. by Tālavṛntanivāsin. PUL. I. p. 46.

by Rāmacandra Vājapeyin. Mu7nchen 97.